Cover
1630-1670 (made)
| Artist/Maker | |
| Place of origin |
This large panel of needle lace comes from Spain. It was probably intended as a cover or frontal for an altar. The lacemaker worked the buttonhole stitching in coloured silks over silver-gilt thread. We call this type of lace 'frisado de Valladolid', after the convents in that region of Spain who produced large quantities of it. It was particularly used to decorate furnishings for the church.
Even though it still appears colourful, the cover is very faded on the front side through too much exposure to light over a long period. Its colours are much brighter on the back. They show us how it originally looked. When it was first made, the untarnished metal thread would have given it a rich and glittering appearance.
Even though it still appears colourful, the cover is very faded on the front side through too much exposure to light over a long period. Its colours are much brighter on the back. They show us how it originally looked. When it was first made, the untarnished metal thread would have given it a rich and glittering appearance.
Object details
| Categories | |
| Object type | |
| Materials and techniques | Needle lace in silk and metal thread |
| Brief description | Needle lace worked in coloured silks and metal thread, Spanish, possibly Valladolid, 1630-60 |
| Physical description | Large panel of needle lace, probably intended as a cover, possibly for an altar. The buttonhole stitching is worked in coloured silks over silver gilt thread. The cover is very faded on the front side through light exposure; colours are much brighter on the back. |
| Dimensions |
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| Style | |
| Production type | Unique |
| Historical context | This impressive example of polychrome lace, known as frisado in Spanish because of its metal loops, is worked in buttonhole stitch. Such rich needle lace was used mainly for ecclesiastical textiles. This cover was possibly made in a convent in the north of Spain. |
| Summary | This large panel of needle lace comes from Spain. It was probably intended as a cover or frontal for an altar. The lacemaker worked the buttonhole stitching in coloured silks over silver-gilt thread. We call this type of lace 'frisado de Valladolid', after the convents in that region of Spain who produced large quantities of it. It was particularly used to decorate furnishings for the church. Even though it still appears colourful, the cover is very faded on the front side through too much exposure to light over a long period. Its colours are much brighter on the back. They show us how it originally looked. When it was first made, the untarnished metal thread would have given it a rich and glittering appearance. |
| Bibliographic references |
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| Collection | |
| Accession number | 57-1869 |
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| Record created | October 22, 2003 |
| Record URL |
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