Vase thumbnail 1
Vase thumbnail 2
Image of Gallery in South Kensington
On display at V&A South Kensington
Medieval & Renaissance, Room 63, The Edwin and Susan Davies Gallery

Vase

1480-1510 (made)
Artist/Maker
Place of origin

Imports from Italy carried suggestions of novelty and luxury. This vase may have been used in a royal or courtier establishment as it bears the arms of England. They are reversed and slightly inaccurate, suggesting that the Italian potter was not familiar with their correct form.

Object details

Categories
Object type
Materials and techniques
Tin-glazed earthenware
Brief description
Maiolica vase with the royal arms of England, said to have been found in London, made in Italy, possibly Pesaro, 1480-1510
Physical description
Maiolica vase with the royal arms of England. The arms are reversed and slightly inaccurate. Tin-glazed earthenware painted in cobalt blue.
Dimensions
  • Height: 18.2cm
  • Diameter: 9.5cm
  • Weight: 0.34kg
Measured for the Medieval and Renaissance Galleries
Gallery label
Gothic Maiolica vase with the royal arms of England 1480-1510 Imports from Italy carried suggestions of novelty and luxury. This vase may have been used in a royal or courtier establishment as it bears the arms of England. They are reversed and slightly inaccurate, suggesting that the Italian potter was not familiar with their correct form. Tin-glazed earthenware, painted in cobalt blue. Made in Italy, probably Tuscany Said to have been found in London V&A: C.298-1938 Cat. 167(2003)
Object history
Purchased by the Museum at the W. Ridout sale at Christie's 13/12/1938
Formerly William Ridout Collection, London and Toronto.
Said to have been found in Mark Lane, City of London.

Once thought to be an early example of Netherlandish Maiolica, recent research has identified this vase as originating from Italy. During the last quarter of the fifteenth century, Italian galleys from Genoa and Venice exported novelty-luxury wares in ceramic and glass to Northern Europe including England, where they found their way to the courts and other wealthy patrons. Such rare imports were treasured possessions and vessels of similar shape and decoration, often containing flowers and peacock feathers, are depicted in various contemporary sources including the Book of Hours of Engelbert of Nassau of 1477-90.

The vase is said to have been excavated in the City of London. It's original foot is missing and the modern replacement was based on a vase of almost identical size and shape, and with identical tournament shield and arms, which was excavated from the moat of the Tower of London. The arms and the archaeological provenance of this second vase suggest a courtly provenance for the two vases. The fact that both show an unusual version of the English Royal coat of arms, in which the conventional quarterings are reversed and featuring slightly different beasts, could be explained by misinterpretation by the Italian potters.

Historical significance: Stylistically this vase is close to the wares produced at Pesaro in the Marches, but chemical analyses of the ceramic bodies has indicated that the vases have most likely been made in Tuscany.
Production
Said to have been found in London
Subject depicted
Summary
Imports from Italy carried suggestions of novelty and luxury. This vase may have been used in a royal or courtier establishment as it bears the arms of England. They are reversed and slightly inaccurate, suggesting that the Italian potter was not familiar with their correct form.
Bibliographic references
  • Gaimster, D., 'Imported maiolica vases bearing the Royal arms of England: a reconsideration', in: Gaimster, D., Maiolica in the North: The archaeology of tin-glazed earthenware in north-west Europe c. 1500-1600, British Museum Occasional Paper number 122, London 1999, pp. 141-143, Colour Pls 2-3
  • Blake, H., 'De Nomine Jhesu: an Italian export ware and the origin of Renaissance maiolica pottery-making in the Low Countries', in: Gaimster, D., Maiolica in the North: The archaeology of tin-glazed earthenware in north-west Europe c. 1500-1600, British Museum Occasional Paper number 122, London 1999, pp. 42-43
  • Honey, W.B., A catalogue of the collection of Italian and other maiolica, Mediaeval English pottery, Dutch, Spanish and French faience, and other ceramic wares, formed by William Ridout of London and Toronto, London, 1934, pp. 37-38, Plate XLIV, 1
  • Marks, R & Williamson, P. (Eds.), Gothic. Art for England 1400-1547, London, V&A, 2003
Collection
Accession number
C.298-1938

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Record createdOctober 6, 2003
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