Panel
ca. 1862 (made)
| Artist/Maker | |
| Place of origin |
Object Type
The firm of Morris, Marshall, Faulkner & Co. was founded in 1861 and dedicated much energy to making stained glass for secular use. This panel, the second of six relating the legend of St George and the Dragon, depicts 'How the damsels of the court cast lots who should be the Dragon's meat and how the lot fell to the King's daughter'. The series was believed to have been made to decorate windows at Harden Hall in Bingley, West Yorkshire. Morris & Co. soon built up an extensive repertoire of designs which could be reproduced or adapted for new commissions. At least one other version of the series is know to survive in a house in Cragside, Northumberland.
People
These panels were designed by Dante Gabriel Rossetti (1828-1882). Like William Morris, Rossetti had a romantic enthusiasm for the legendary past, a passion he expressed vividly in narrative cycles such as this. Rosetti produced considerably fewer cartoons for stained-glass windows than others in the group, and his interest in the medium died out after a few years.
Materials & Making
Morris & Co. lacked the technical expertise to make the glass for their designs, but bought it from the London glassmakers James Powell & Sons. A wide range of high quality 'pot metal' (coloured glass) is used in this panel. The olive greens and rich, dark reds, juxtaposed with dazzling areas of gold and white, are characteristic of the innovative palette used throughout the series.
The firm of Morris, Marshall, Faulkner & Co. was founded in 1861 and dedicated much energy to making stained glass for secular use. This panel, the second of six relating the legend of St George and the Dragon, depicts 'How the damsels of the court cast lots who should be the Dragon's meat and how the lot fell to the King's daughter'. The series was believed to have been made to decorate windows at Harden Hall in Bingley, West Yorkshire. Morris & Co. soon built up an extensive repertoire of designs which could be reproduced or adapted for new commissions. At least one other version of the series is know to survive in a house in Cragside, Northumberland.
People
These panels were designed by Dante Gabriel Rossetti (1828-1882). Like William Morris, Rossetti had a romantic enthusiasm for the legendary past, a passion he expressed vividly in narrative cycles such as this. Rosetti produced considerably fewer cartoons for stained-glass windows than others in the group, and his interest in the medium died out after a few years.
Materials & Making
Morris & Co. lacked the technical expertise to make the glass for their designs, but bought it from the London glassmakers James Powell & Sons. A wide range of high quality 'pot metal' (coloured glass) is used in this panel. The olive greens and rich, dark reds, juxtaposed with dazzling areas of gold and white, are characteristic of the innovative palette used throughout the series.
Object details
| Categories | |
| Object type | |
| Materials and techniques | Stained and painted glass |
| Brief description | Stained glass panel depicting the Legend of St George: How the joyful princess was brought home again |
| Physical description | Panel. St. George and the Dragon. The Princess in a carriage with St. George riding by her side. Two women throwing roses. A soldier holding up the head of the dragon on a pole. A crowd. Inscription below: "HOW THE JOYFUL PRINCESS WAS BORNE HOME AGAIN". |
| Dimensions |
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| Marks and inscriptions | Along base of panel 'How the joyful princess was brought home again' |
| Gallery label |
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| Object history | Designed by Dante Gabriel Rossetti (born in London, 1828, died in Birchington-on-Sea, Kent, 1882); made by Morris, Marshall, Faulkner & Co., London |
| Summary | Object Type The firm of Morris, Marshall, Faulkner & Co. was founded in 1861 and dedicated much energy to making stained glass for secular use. This panel, the second of six relating the legend of St George and the Dragon, depicts 'How the damsels of the court cast lots who should be the Dragon's meat and how the lot fell to the King's daughter'. The series was believed to have been made to decorate windows at Harden Hall in Bingley, West Yorkshire. Morris & Co. soon built up an extensive repertoire of designs which could be reproduced or adapted for new commissions. At least one other version of the series is know to survive in a house in Cragside, Northumberland. People These panels were designed by Dante Gabriel Rossetti (1828-1882). Like William Morris, Rossetti had a romantic enthusiasm for the legendary past, a passion he expressed vividly in narrative cycles such as this. Rosetti produced considerably fewer cartoons for stained-glass windows than others in the group, and his interest in the medium died out after a few years. Materials & Making Morris & Co. lacked the technical expertise to make the glass for their designs, but bought it from the London glassmakers James Powell & Sons. A wide range of high quality 'pot metal' (coloured glass) is used in this panel. The olive greens and rich, dark reds, juxtaposed with dazzling areas of gold and white, are characteristic of the innovative palette used throughout the series. |
| Bibliographic reference | Page 136 (with image)
Laurie Marty de Cambiaire, Drawings & Sketches, (Paris: Marty de Cambiaire, 2015) |
| Collection | |
| Accession number | C.320-1927 |
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| Record created | July 21, 1998 |
| Record URL |
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