Suit thumbnail 1
Suit thumbnail 2
Not on display

This object consists of 4 parts, some of which may be located elsewhere.

Suit

ca. 1972 (made)
Artist/Maker
Place of origin

John Stephen opened his first menswear boutique, His Clothes, in Carnaby Street in 1957. Coming from a background in retail rather than fashion design, his talent lay in observing his customers closely and responding to their needs. While most men’s outfitters stocked the traditional uniform of jackets and trousers in greys and blacks, Stephen offered a wide range of young, often playful styles in daring colours. His men’s ‘mini-kilts’ were amongst the more outrageous.

Recognising that trends changed quickly, Stephen changed his stock every few weeks to keep ahead. “Every time you walked past a John Stephen window there was something new and loud in it”, recalled the music journalist Nik Cohn in 1971. His shops attracted high-profile customers – the Beatles, the Rolling Stones, the Kinks, the Bee Gees – and sparked numerous imitations in Carnaby Street and beyond. Stephen has been credited with revolutionising how menswear was retailed. By the 1960s his influential and expanding chain of boutiques had earned him the title, 'King of Carnaby Street'.

This pinstripe suit breaks with the conventions of post-war tailoring. It is extremely tight-fitting, with wide flared trousers, patch pockets and long back hip vents. These vents ensured that the fashionable young man of the early 1970s could sit down in his figure-hugging gear. It belonged to the flamboyant milliner, David Shilling, who wore it with a white, wide-collared shirt and geometric print silk tie.

Object details

Categories
Object type
Parts
This object consists of 4 parts.

  • Tie
  • Shirt
  • Trousers
  • Jacket
Materials and techniques
Wool, cotton and silk
Brief description
Double-breasted man's suit of pin striped wool, John Stephen, London 1972
Physical description
Navy pinstripe wool suit with wide lapels, patch pockets, and flared trousers, worn with cotton shirt and silk tie
Dimensions
  • Length: 740mm (Note: Jacket)
  • Circumference: 882mm (Note: Jacket chest)
  • Circumference: 882mm (Note: Jacket waist)
  • Length: 1125mm (Note: Trousers)
  • Circumference: 748mm (Note: Trousers waist)
  • Circumference: 632mm (Note: Trousers hem)
  • Length: 737mm (Note: Shirt)
  • Circumference: 805mm (Note: Shirt chest)
  • Circumference: 343mm (Note: Shirt neck)
Gallery label
(1997)
This flamboyant suit breaks with the conventions of post-war tailoring. It is extremely tight-fitting, with wide flared trousers, jacket buttons in unusual configurations, patch pockets and long back hip vents. These vents ensured that the fashionable young man of the early 1970s could sit down, despite his figure-hugging gear. It was worn by daring and fashionable milliner David Shilling.
Credit line
Worn and given by David Shilling
Summary
John Stephen opened his first menswear boutique, His Clothes, in Carnaby Street in 1957. Coming from a background in retail rather than fashion design, his talent lay in observing his customers closely and responding to their needs. While most men’s outfitters stocked the traditional uniform of jackets and trousers in greys and blacks, Stephen offered a wide range of young, often playful styles in daring colours. His men’s ‘mini-kilts’ were amongst the more outrageous.

Recognising that trends changed quickly, Stephen changed his stock every few weeks to keep ahead. “Every time you walked past a John Stephen window there was something new and loud in it”, recalled the music journalist Nik Cohn in 1971. His shops attracted high-profile customers – the Beatles, the Rolling Stones, the Kinks, the Bee Gees – and sparked numerous imitations in Carnaby Street and beyond. Stephen has been credited with revolutionising how menswear was retailed. By the 1960s his influential and expanding chain of boutiques had earned him the title, 'King of Carnaby Street'.

This pinstripe suit breaks with the conventions of post-war tailoring. It is extremely tight-fitting, with wide flared trousers, patch pockets and long back hip vents. These vents ensured that the fashionable young man of the early 1970s could sit down in his figure-hugging gear. It belonged to the flamboyant milliner, David Shilling, who wore it with a white, wide-collared shirt and geometric print silk tie.
Bibliographic reference
de la Haye, Amy, ed. The Cutting Edge: 50 Years of British Fashion 1947-1997. V&A Publications, London, England, 1997, pp. 54 and 55.
Collection
Accession number
T.72 to C-1983

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdSeptember 11, 2003
Record URL
Download as: JSON