View of Constantinople from Pera
Watercolour
about 1843-1856 (Painted)
about 1843-1856 (Painted)
Artist/Maker | |
Place of origin |
Frequent earthquakes have taken their toll in Istanbul, but the city suffered most from disastrous fires which ravaged the wooden buildings, tinder-dry in the hot summers. The tall cylindrical fire-tower (still there) of Galata which was reconstructed by the Ottomans for watchmen of the municipal guard is just visible to the right of the picture. In the background, across the Golden Horn can be seen the buildings of the palace complex of Topkapi Sarayi, built on the end of the promontory called Saray Burnu (Seraglio Point). The magnificence of the palace was in the extent of its relatively small but beautiful buildings set in wonderful gardens with views towards the other six hills of the city, the Golden Horn and the further shore of the Bosphorus on the Asian side. When Topkapi Sarayi was abandoned by Sultan Abdülmecid I in the 19th century he moved to a new palace at Dolmabahce along the Bosphorus which was a massive western European style building with imposing facades.
On the shoreline to the left can be seen the mosques Kilic Ali Pasha Camii and the Nusretiye Camii, still well-known landmarks.
On the shoreline to the left can be seen the mosques Kilic Ali Pasha Camii and the Nusretiye Camii, still well-known landmarks.
Object details
Category | |
Object type | |
Title | View of Constantinople from Pera (generic title) |
Materials and techniques | Pencil and watercolour touched with white |
Brief description | View of Constantinople from Pera, about 1843-1856. Aloysius Rosarius Amadeus Raymondus Andreas, known as Amadeo, 5th Count Preziosi |
Physical description | Watercolour view of Istanbul from Pera, across the Golden Horn |
Dimensions |
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Style | |
Object history | This drawing is part of a group of 34 bought by the Victoria and Albert Museum in 1907. [D.14-1907-D.47-1907]. |
Places depicted | |
Summary | Frequent earthquakes have taken their toll in Istanbul, but the city suffered most from disastrous fires which ravaged the wooden buildings, tinder-dry in the hot summers. The tall cylindrical fire-tower (still there) of Galata which was reconstructed by the Ottomans for watchmen of the municipal guard is just visible to the right of the picture. In the background, across the Golden Horn can be seen the buildings of the palace complex of Topkapi Sarayi, built on the end of the promontory called Saray Burnu (Seraglio Point). The magnificence of the palace was in the extent of its relatively small but beautiful buildings set in wonderful gardens with views towards the other six hills of the city, the Golden Horn and the further shore of the Bosphorus on the Asian side. When Topkapi Sarayi was abandoned by Sultan Abdülmecid I in the 19th century he moved to a new palace at Dolmabahce along the Bosphorus which was a massive western European style building with imposing facades. On the shoreline to the left can be seen the mosques Kilic Ali Pasha Camii and the Nusretiye Camii, still well-known landmarks. |
Bibliographic reference | Llewellyn, Briony and Newton, Charles. The People and Places of Constantinople : watercolours by Amadeo Count Preziosi 1816-1882. London, Victori & Albert Museum, 1985
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Collection | |
Accession number | D.44-1907 |
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Record created | June 30, 2009 |
Record URL |
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