Wedding Dress
1948 (designed), 1 September 1948 (worn)
| Artist/Maker | |
| Place of origin |
Wedding dress in cream silk moiré with a full length, full skirt, closely fitted bodice and long tight sleeves. The neckline cut wide and low, with a knife-pleated bertha collar. Row of closely spaced covered buttons at wrists and back zipper. Two stiffened synthetic silk waist-petticoats, the top one in silk with a deep moiré flounce, the bottom a crinoline slip interlined with stiffening to support the skirt. Wedding veil of fine silk net attached to a cream satin band with elastic band. Matching cream silk moiré sandals, made by Rayne, with wrap-over effect peep-toe and button, low-ish heel and ankle straps.
Object details
| Categories | |
| Object type | |
| Parts | This object consists of 6 parts.
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| Materials and techniques | Cream silk moire, silk net, synthetic silk, and silk satin |
| Brief description | Wedding dress, 1948, English, Molyneux, ivory moire ribbed silk. With two petticoats, a net veil attached to padded satin headband, and pair of heeled shoes, 1948, English, Rayne, covered in cream silk moire with silver gilt buckles |
| Physical description | Wedding dress in cream silk moiré with a full length, full skirt, closely fitted bodice and long tight sleeves. The neckline cut wide and low, with a knife-pleated bertha collar. Row of closely spaced covered buttons at wrists and back zipper. Two stiffened synthetic silk waist-petticoats, the top one in silk with a deep moiré flounce, the bottom a crinoline slip interlined with stiffening to support the skirt. Wedding veil of fine silk net attached to a cream satin band with elastic band. Matching cream silk moiré sandals, made by Rayne, with wrap-over effect peep-toe and button, low-ish heel and ankle straps. |
| Production type | Haute couture |
| Gallery label |
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| Object history | This dress was worn by the fashion model Patricia Aileen Cunningham to marry the British couturier Charles Creed at the Assumption Convent, Kensington Square, on 1 September 1948. Feeling it would be inappropriate if he were to design her dress, Creed recommended his fellow British couturier, Edward Molyneux, to his wife. |
| Bibliographic reference | De la Haye, Amy (ed.). The Cutting Edge: 50 Years of British Fashion 1947- 1997. London, England: V&A Publications, 1997.
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| Collection | |
| Accession number | T.250 to E-1979 |
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| Record created | August 21, 2003 |
| Record URL |
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