Kinmel Hall, drawing no. 133, revised plan for entrance hall
Drawing
18/01/1872 (made)
18/01/1872 (made)
Artist/Maker | |
Place of origin |
Kinmel Hall is a country house located near Abergele in north Wales. It is a renovation of a Greek Revival house that previously occupied the same site on the Kinmel estate. The existing house was designed by William Eden Nesfield (1835-1888) for Hugh Robert Hughes (1827-1911) and built between 1871-1876. Hughes inherited Kinmel from his uncle in 1852 and sought to enhance the estate by commissioning numerous improvements to the house and grounds. These improvements included a new stable block designed by William Burn and culminated in the ambitious expansion of the earlier house into the Kinmel Hall that exists today. Nesfield’s remodelling is dramatic departure from the mundane house Hughes inherited.
It has been said that Kinmel Hall has 365 windows and 52 bedrooms, making it an example of a ‘Calendar House’, a term coined by the Elizabethans and employed by the Victorians to celebrate extravagance. With over 120 rooms (one dedicated exclusively to ironing newspapers), Kinmel’s exorbitance has earned it the nickname, the ‘Welsh Versailles’. And although the house’s mansard roofs evoke the flavour of a French chateau, a closer look reveals a variety of influences. The abundance of red brick, stone window surrounds, and stone quoins are reminiscent of Hampton Court Palace—which Nesfield and Hughes visited for inspiration in 1868. However, the more minute details, such as the asymmetrical chimneys and Nesfield’s generous application of his characteristic sunflower motifs, reveal the house’s underlying connection to the ‘Queen Anne’ movement. After being sold by the Hughes family in 1929, Kinmel Hall has served as a rheumatic spa, hospital, and school. A fire caused extensive damage to the chapel and upper floor in 1977, and the house has changed ownership numerous times since. In 2015, the Victorian Society placed the now-derelict Kinmel Hall on its list of the top ten at-risk Victorian and Edwardian buildings in the UK; its future remains uncertain.
This sheet contains a floor plan titled, "Revised Plan for Entrance Hall"; however, its scope also includes the ground floor rooms labelled: breakfast room, smoking and billiard room, business room, Mr. Hughes' room, principal stair, private stair, and library. The walls are coloured in either brown or grey wash, denoting the presence of existing walls to be preserved during the renovation.
It has been said that Kinmel Hall has 365 windows and 52 bedrooms, making it an example of a ‘Calendar House’, a term coined by the Elizabethans and employed by the Victorians to celebrate extravagance. With over 120 rooms (one dedicated exclusively to ironing newspapers), Kinmel’s exorbitance has earned it the nickname, the ‘Welsh Versailles’. And although the house’s mansard roofs evoke the flavour of a French chateau, a closer look reveals a variety of influences. The abundance of red brick, stone window surrounds, and stone quoins are reminiscent of Hampton Court Palace—which Nesfield and Hughes visited for inspiration in 1868. However, the more minute details, such as the asymmetrical chimneys and Nesfield’s generous application of his characteristic sunflower motifs, reveal the house’s underlying connection to the ‘Queen Anne’ movement. After being sold by the Hughes family in 1929, Kinmel Hall has served as a rheumatic spa, hospital, and school. A fire caused extensive damage to the chapel and upper floor in 1977, and the house has changed ownership numerous times since. In 2015, the Victorian Society placed the now-derelict Kinmel Hall on its list of the top ten at-risk Victorian and Edwardian buildings in the UK; its future remains uncertain.
This sheet contains a floor plan titled, "Revised Plan for Entrance Hall"; however, its scope also includes the ground floor rooms labelled: breakfast room, smoking and billiard room, business room, Mr. Hughes' room, principal stair, private stair, and library. The walls are coloured in either brown or grey wash, denoting the presence of existing walls to be preserved during the renovation.
Object details
Categories | |
Object type | |
Title | Kinmel Hall, drawing no. 133, revised plan for entrance hall (assigned by artist) |
Materials and techniques | Ink, watercolour, and pencil on paper |
Brief description | Architectural drawing by W. E. Nesfield for Kinmel Hall, drawing no. 133, revised plan of entrance hall, Flintshire, for H. R. Hughes, 1872, ink, watercolour, and pencil on paper, London |
Physical description | Sheet contains a finished drawing consisting entirely of a floor plan of the rooms surrounding the entrance hall on the ground floor. The walls are drawn with either grey or brown wash to indicate existing versus proposed walls. Small pencil sketches extend the walls not illustrated in ink and watercolour. There are missing portions of paper at the bottom right corner and at the bottom centre; no drawing scale is provided. |
Dimensions |
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Marks and inscriptions |
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Object history | Donated to the V&A in 1907 as part of the Phené Spiers Collection of Architectural Drawings. |
Historical context | Sheet could be used in conjunction with all other plan drawings from D.1434-1907 - D.1441-1907. |
Associations | |
Summary | Kinmel Hall is a country house located near Abergele in north Wales. It is a renovation of a Greek Revival house that previously occupied the same site on the Kinmel estate. The existing house was designed by William Eden Nesfield (1835-1888) for Hugh Robert Hughes (1827-1911) and built between 1871-1876. Hughes inherited Kinmel from his uncle in 1852 and sought to enhance the estate by commissioning numerous improvements to the house and grounds. These improvements included a new stable block designed by William Burn and culminated in the ambitious expansion of the earlier house into the Kinmel Hall that exists today. Nesfield’s remodelling is dramatic departure from the mundane house Hughes inherited. It has been said that Kinmel Hall has 365 windows and 52 bedrooms, making it an example of a ‘Calendar House’, a term coined by the Elizabethans and employed by the Victorians to celebrate extravagance. With over 120 rooms (one dedicated exclusively to ironing newspapers), Kinmel’s exorbitance has earned it the nickname, the ‘Welsh Versailles’. And although the house’s mansard roofs evoke the flavour of a French chateau, a closer look reveals a variety of influences. The abundance of red brick, stone window surrounds, and stone quoins are reminiscent of Hampton Court Palace—which Nesfield and Hughes visited for inspiration in 1868. However, the more minute details, such as the asymmetrical chimneys and Nesfield’s generous application of his characteristic sunflower motifs, reveal the house’s underlying connection to the ‘Queen Anne’ movement. After being sold by the Hughes family in 1929, Kinmel Hall has served as a rheumatic spa, hospital, and school. A fire caused extensive damage to the chapel and upper floor in 1977, and the house has changed ownership numerous times since. In 2015, the Victorian Society placed the now-derelict Kinmel Hall on its list of the top ten at-risk Victorian and Edwardian buildings in the UK; its future remains uncertain. This sheet contains a floor plan titled, "Revised Plan for Entrance Hall"; however, its scope also includes the ground floor rooms labelled: breakfast room, smoking and billiard room, business room, Mr. Hughes' room, principal stair, private stair, and library. The walls are coloured in either brown or grey wash, denoting the presence of existing walls to be preserved during the renovation. |
Bibliographic references |
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Collection | |
Accession number | D.1434-1907 |
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Record created | June 30, 2009 |
Record URL |
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