Architectural Drawing
Artist/Maker |
Red House, designed for his friends William and Jane Morris, was Philip Webb’s first house. Designed in 1859 and completed in 1860, it is located near Upton, now Bexleyheath, Kent. Conceived as a family home and studio, Webb’s design was always intended to be flexible and easily altered to accommodate members of Morris’s circle. In 1864 Webb designed an additional wing, extending Red House to make room for Edward Burne-Jones and his wife Georgie. Webb’s initial proposal was deemed too expensive, so he also designed a second scheme at a reduced cost. Ultimately neither scheme of additions was realised due to both Morris and Georgie Burne-Jones suffering serious illness. Morris increasingly found the long commute to London impossible, and he sold the house in 1865.
The V&A has drawings for the initial design of Red House, and both subsequent projects. Writing in 1915, Lady Burne-Jones, referred to them as follows: ‘October 12, 1915. I am sending by Passenger train (tomorrow) the Plans for Red House (not the Red House as people will call it!) and for the additions to it which were dreamed of. There are seven sheets for each. You will see that Nos. V and VI for details of Red House are drawn on the two sides of the sheet, which is a pity. There is a small sheet belonging to the imaginary House, and I think it is a suggestion of a fresh treatment for the proposed additional House, not further developed. The sheet which divides Red House Plans from those of our Castle in the air has - as you will perceive - a rough jotting upon it of the way Red House stood and the front garden. In one of the Red House plans you will see written the names of flowers that are to be put in beds at the foot of the East wall and to climb up it. I do not know which of the friends wrote these, but remember how successful the laying out of the garden was, and that the house has never looked 'bare' .'
Today Red House belongs to the National Trust.
The V&A has drawings for the initial design of Red House, and both subsequent projects. Writing in 1915, Lady Burne-Jones, referred to them as follows: ‘October 12, 1915. I am sending by Passenger train (tomorrow) the Plans for Red House (not the Red House as people will call it!) and for the additions to it which were dreamed of. There are seven sheets for each. You will see that Nos. V and VI for details of Red House are drawn on the two sides of the sheet, which is a pity. There is a small sheet belonging to the imaginary House, and I think it is a suggestion of a fresh treatment for the proposed additional House, not further developed. The sheet which divides Red House Plans from those of our Castle in the air has - as you will perceive - a rough jotting upon it of the way Red House stood and the front garden. In one of the Red House plans you will see written the names of flowers that are to be put in beds at the foot of the East wall and to climb up it. I do not know which of the friends wrote these, but remember how successful the laying out of the garden was, and that the house has never looked 'bare' .'
Today Red House belongs to the National Trust.
Object details
Categories | |
Object type | |
Brief description | Unexecuted design for alterations (second arrangement) to Red House by Philip Webb |
Physical description | Pencil drawings showing plans, elevations and sections of Philip Webb's proposed alterations to Red House. A pencil note at the top of the sheet indicates that these designs are Webb's second version of the scheme, intended to reduce the cost of his initial proposals. |
Production type | Unique |
Summary | Red House, designed for his friends William and Jane Morris, was Philip Webb’s first house. Designed in 1859 and completed in 1860, it is located near Upton, now Bexleyheath, Kent. Conceived as a family home and studio, Webb’s design was always intended to be flexible and easily altered to accommodate members of Morris’s circle. In 1864 Webb designed an additional wing, extending Red House to make room for Edward Burne-Jones and his wife Georgie. Webb’s initial proposal was deemed too expensive, so he also designed a second scheme at a reduced cost. Ultimately neither scheme of additions was realised due to both Morris and Georgie Burne-Jones suffering serious illness. Morris increasingly found the long commute to London impossible, and he sold the house in 1865. The V&A has drawings for the initial design of Red House, and both subsequent projects. Writing in 1915, Lady Burne-Jones, referred to them as follows: ‘October 12, 1915. I am sending by Passenger train (tomorrow) the Plans for Red House (not the Red House as people will call it!) and for the additions to it which were dreamed of. There are seven sheets for each. You will see that Nos. V and VI for details of Red House are drawn on the two sides of the sheet, which is a pity. There is a small sheet belonging to the imaginary House, and I think it is a suggestion of a fresh treatment for the proposed additional House, not further developed. The sheet which divides Red House Plans from those of our Castle in the air has - as you will perceive - a rough jotting upon it of the way Red House stood and the front garden. In one of the Red House plans you will see written the names of flowers that are to be put in beds at the foot of the East wall and to climb up it. I do not know which of the friends wrote these, but remember how successful the laying out of the garden was, and that the house has never looked 'bare' .' Today Red House belongs to the National Trust. |
Bibliographic references |
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Collection | |
Accession number | E.71-1916 |
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Record created | June 30, 2009 |
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