Barges on the Stour, with Dedham Church in the Distance
Oil Painting
ca. 1811 (painted)
ca. 1811 (painted)
Artist/Maker | |
Place of origin |
This oil sketch is one of the earliest to demonstrate Constable's vibrant and original mature style. The lock gates are probably near Flatford Mill. Constable was very familiar with the barges that carried grain on the River Stour.
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Object details
Category | |
Object type | |
Title | Barges on the Stour, with Dedham Church in the Distance (popular title) |
Materials and techniques | oil on paper laid on canvas |
Brief description | Oil sketch of barges on the Stour by John Constable, England, c.1811 |
Physical description | Landscape painting with barges, and Dedham Church in the background. |
Dimensions |
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Style | |
Credit line | Given by Isabel Constable |
Object history | Given by Isabel Constable, 1888 |
Historical context | 'In the year 1811 Constable's exhibits at the Royal Academy comprised 'Twilight', and 'Dedham Vale: morning' (now in the collection of Sir Richard Proby). He visited Suffolk in the spring and paid his first visit to Salisbury in the autumn: this was probably the occasion of his first meeting with John Fisher, who was to become his closest friend. His attachment to Maria Bicknell became known during this year, and he received her father's permission to write to her in October.' [G Reynolds, 1973, p. 69] |
Subject depicted | |
Place depicted | |
Summary | This oil sketch is one of the earliest to demonstrate Constable's vibrant and original mature style. The lock gates are probably near Flatford Mill. Constable was very familiar with the barges that carried grain on the River Stour. |
Bibliographic references |
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Other number | 104, plate 63 - Reynolds catalogue no. |
Collection | |
Accession number | 325-1888 |
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Record created | July 23, 2003 |
Record URL |
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