Not on display

We don’t have an image of this object online yet.

More about images

V&A Images may have a photograph that we can’t show online, but it may be possible to supply one to you. Email us at vaimages@vam.ac.uk for guidance about fees and timescales, quoting the accession number: M.181F-1977

Dessert Fork

1845-1846 (made)
Artist/Maker
Place of origin

Large table forks evolved in the early 18th century as cutlery became specialised. A desire to eat more elegantly prompted the need for table equipment that could be used only at particular points in the meal or with certain foods. Table forks formed part of a matching cutlery set.

The Victorian Dining Table

From the 1860s Victorian society embraced the new method of serving dinner known as à la Russe, which fundamentally changed the look of the dining table. Previously foods had been set out in silver and ceramic dishes and diners helped themselves, but with dinner à la Russe each course was served individually to guests by servants. The silver entrée dishes and ceramic tureens gave way to lavish floral displays in glass vases and ceramic fruit stands. The cover or place setting assumed a greater importance and occupied a larger area of the dining table. Mrs Beeton's Book of Household Management advised in 1888: 'We now come to the knives and forks ... it is usual to lay two large of each, flanked to the right by a fish knife and a soup spoon, and on the left by the fish fork; other knives and forks are supplied with the plates for the different courses.'

Object details

Categories
Object type
Materials and techniques
Silver, diestamped
Brief description
Dessert fork, silver, one of a set of twelve table and dessert forks, Fiddle, thread and shell pattern, made by Hayne and Co, London, 1845-1846
Physical description
Fork, silver, Fiddle, thread and shell pattern
Dimensions
  • Length: 174mm
  • Width: 25mm
Production typeMass produced
Marks and inscriptions
  • Marked on the back of the handle with London hallmark, duty, sterling, date letter for 1845-6. (On the back of the handle; punching)
  • Mark of Hayne and Co.
Gallery label
Dessert fork, one of a set of twelve table and dessert forks, Fiddle, thread and shell pattern, made by Hayne and Co., London, 1845-1846.
Miss D. B. Simpson Bequest
M.181F-1977
Credit line
Bequeathed by Miss D.B. Simpson
Object history
Bequeathed by Miss D. B. Simpson
Historical context
Large table forks evolved in the early 18th century as cutlery became specialised. A desire to eat more elegantly prompted the need for table equipment that could be used only at particular points in the meal or with certain foods. Table forks formed part of a matching cutlery set.

The Victorian Dining Table

From the 1860s Victorian society embraced the new method of serving dinner known as à la Russe, which fundamentally changed the look of the dining table. Previously foods had been set out in silver and ceramic dishes and diners helped themselves, but with dinner à la Russe each course was served individually to guests by servants. The silver entrée dishes and ceramic tureens gave way to lavish floral displays in glass vases and ceramic fruit stands. The cover or place setting assumed a greater importance and occupied a larger area of the dining table. Mrs Beeton's Book of Household Management advised in 1888: 'We now come to the knives and forks ... it is usual to lay two large of each, flanked to the right by a fish knife and a soup spoon, and on the left by the fish fork; other knives and forks are supplied with the plates for the different courses.'

Summary
Large table forks evolved in the early 18th century as cutlery became specialised. A desire to eat more elegantly prompted the need for table equipment that could be used only at particular points in the meal or with certain foods. Table forks formed part of a matching cutlery set.

The Victorian Dining Table

From the 1860s Victorian society embraced the new method of serving dinner known as à la Russe, which fundamentally changed the look of the dining table. Previously foods had been set out in silver and ceramic dishes and diners helped themselves, but with dinner à la Russe each course was served individually to guests by servants. The silver entrée dishes and ceramic tureens gave way to lavish floral displays in glass vases and ceramic fruit stands. The cover or place setting assumed a greater importance and occupied a larger area of the dining table. Mrs Beeton's Book of Household Management advised in 1888: 'We now come to the knives and forks ... it is usual to lay two large of each, flanked to the right by a fish knife and a soup spoon, and on the left by the fish fork; other knives and forks are supplied with the plates for the different courses.'
Bibliographic reference
John Culme, The Directory of Gold and Silversmiths, Jewellers and Allied Traders 1838-1914, Vol. 1, Woodbridge, Antique Collectors' Club, 1987 pp. 223-4
Collection
Accession number
M.181F-1977

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdJuly 23, 2003
Record URL
Download as: JSON