Portrait Miniature of an Unknown Girl
Portrait Miniature
ca. 1785-1790 (painted)
ca. 1785-1790 (painted)
Artist/Maker | |
Place of origin |
This exceptional miniature of a young girl in a large bonnet was painted by Diana Hill (maiden name Dietz, 1760-1844), a British miniature painter who lived and worked in Kolkata between 1786 and 1806. Hill was part of a group of portrait painters who travelled to India in pursuit of more commissions and artistic acclaim, such as John Smart and Ozias Humphry. As a woman artist, Hill’s position was more contested than that of her contemporaries in India. In a telling display of his prejudice, Humphry proclaimed that he would ‘rather have had all the male painters in England landed in Bengal than a single woman.’ Hill nonetheless persisted and built a successful portrait practice amongst the city’s colonial elite. It is likely that she painted portraits for local residents in Kolkata too, including, perhaps, this young girl who is yet to be identified.
Object details
Categories | |
Object type | |
Title | Portrait Miniature of an Unknown Girl (popular title) |
Materials and techniques | Watercolour on ivory |
Brief description | Portrait Miniature, Unknown Girl, by Diana Hill, watercolour on ivory, ca. 1785-1790. |
Physical description | Portrait miniature on ivory of an unknown girl wearing a very large pink and white bonnet set in a metal frame. |
Dimensions |
|
Historical context | Portrait miniatures were frequently exchanged between loved ones and family in eighteenth-century Britain as tokens of affection and remembrance. In colonial India, where many officers were separated from loved ones for long periods of time, there was a high demand for portraits that could be sent to friends and family back home; or that could document and preserve one’s own likeness. |
Subjects depicted | |
Summary | This exceptional miniature of a young girl in a large bonnet was painted by Diana Hill (maiden name Dietz, 1760-1844), a British miniature painter who lived and worked in Kolkata between 1786 and 1806. Hill was part of a group of portrait painters who travelled to India in pursuit of more commissions and artistic acclaim, such as John Smart and Ozias Humphry. As a woman artist, Hill’s position was more contested than that of her contemporaries in India. In a telling display of his prejudice, Humphry proclaimed that he would ‘rather have had all the male painters in England landed in Bengal than a single woman.’ Hill nonetheless persisted and built a successful portrait practice amongst the city’s colonial elite. It is likely that she painted portraits for local residents in Kolkata too, including, perhaps, this young girl who is yet to be identified. |
Bibliographic reference | Summary Catalogue of Miniatures in the Victoria and Albert Museum, Emmett Microform, 1981
M. Archer, India and British Portraiture 1770-1825 (Sotheby’s Publications, 1979)
W. Foster, ‘British artists in India, 1760–1820’, Walpole Society, 19 (1930–31), 1–88, p. 40 |
Collection | |
Accession number | P.139-1929 |
About this object record
Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.
You can write to us to suggest improvements to the record.
Suggest feedback
You can write to us to suggest improvements to the record.
Suggest feedback
Record created | July 14, 2003 |
Record URL |
Download as: JSONIIIF Manifest