An Unknown Man, called Sir Robert Henley thumbnail 1
An Unknown Man, called Sir Robert Henley thumbnail 2

An Unknown Man, called Sir Robert Henley

Portrait Miniature
1659 (painted)
Artist/Maker
Place of origin

Portrait, turned slightly to right and looking to front; the sitter is wearing a neckcloth. Features boldly and freely hatched in brown and sanguine, with some blue shadow and touches of white heightening, over a thick creamy carnation ground; hair in brown wash, hatched with darker colour and heightened with pale gouache; cravat and sleeves in white over grey wash; doublet in hatched brown wash with bronzing and buttons in gold; brown-curtain background, with blue sky and grey clouds; on vellum put down on a leaf from a table-book.

Frame
Seventeenth-century gold locket, convex back, straight sides with single broad channel, the bezel turned over the convex glass; the hanger of tear-drop form made with wire of D-section, with a central channel down the middle and bifurcating into flattened tapering spirals of three turns; a scroll-and-leaf engraving on the back beneath the hanger. Scratched on the back: TMW /The Earl of Sandwhich [sic] / by Sam’l Cooper / Nwt Cl’n 734 £to with a label printed D. of Hamilton. and written over in pen [Earl]of Sand[ wich ]; and Salting's printed label 1628 corrected by hand to 4628.

Object details

Categories
Object type
TitleAn Unknown Man, called Sir Robert Henley (generic title)
Materials and techniques
Watercolour on vellum, put down on a leaf from a table-book
Brief description
Portrait miniature of a man, called Sir Robert Henley, watercolour on vellum, painted by Samuel Cooper, 1659.
Physical description
Portrait, turned slightly to right and looking to front; the sitter is wearing a neckcloth. Features boldly and freely hatched in brown and sanguine, with some blue shadow and touches of white heightening, over a thick creamy carnation ground; hair in brown wash, hatched with darker colour and heightened with pale gouache; cravat and sleeves in white over grey wash; doublet in hatched brown wash with bronzing and buttons in gold; brown-curtain background, with blue sky and grey clouds; on vellum put down on a leaf from a table-book.

Frame
Seventeenth-century gold locket, convex back, straight sides with single broad channel, the bezel turned over the convex glass; the hanger of tear-drop form made with wire of D-section, with a central channel down the middle and bifurcating into flattened tapering spirals of three turns; a scroll-and-leaf engraving on the back beneath the hanger. Scratched on the back: TMW /The Earl of Sandwhich [sic] / by Sam’l Cooper / Nwt Cl’n 734 £to with a label printed D. of Hamilton. and written over in pen [Earl]of Sand[ wich ]; and Salting's printed label 1628 corrected by hand to 4628.
Dimensions
  • Height: 71mm
  • Width: 57mm
Dimensions taken from John Murdoch Seventeenth-century English Miniatures in the collection of the Victoria and Albert Museum. London: The Stationery Office, 1997.
Content description
Oval portrait miniature of a man wearing a white bow round his neck.
Styles
Marks and inscriptions
'SC: [interlaced] 1659' (Signed at lower right in black)
Credit line
Bequeathed by George Salting
Object history
Provenance
Dukes of Hamilton; Hamilton Palace sale, 15 July 1882,lot 1598, bt Philpot, £267.155.; C HT Hawkins, his sale, Christie's 13 May 1904,lot 906, bt Hodgkin, 470 gns; acquired by George Salting.(1) and by him bequeathed to the Museum, 1910. Probably identical with lot 734 at the sale of Lord Northwick's collection at Thirlestane House, 5 August 1859, bt Farrer of New Bond Street, £31.10s.; see inscription on case above.
Subject depicted
Bibliographic reference
Murdoch, John. Seventeenth-century English Miniatures in the collection of the Victoria and Albert Museum. London: The Stationery Office, 1997.
Collection
Accession number
P.113-1910

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdJuly 3, 2003
Record URL
Download as: JSONIIIF Manifest