An Unknown Man, possibly James II as Duke of York
Portrait Miniature
ca. 1670 (painted)
ca. 1670 (painted)
Artist/Maker | |
Place of origin |
Portrait of a man, turned slightly to left and looking to front; the sitter is wearing a patterned lace neckcloth. Features in brown, sanguine and grey with some blue shadowing, diagonally hatched across the features and heavily impasted with coloured gouache and with white for the lights; touches of white and brownish yellow in the eyes and a white high spot on the tip of the nose; all on a pale carnation ground; hair in brown wash, heavily hatched with darker colour and with the lights in grey gouache, also over the carnation; cravat in white shaded with grey; costume in washes of brown-yellow and dark brown; background a plain dark brown wash; on vellum put down on pasteboard.
Frame: Recent twentieth-century brass (?)-gilt oval locket, the convex back bent over in a sharp arris to meet the straight sides (imitating a seventeenth-century type with closing front cover), which hold the bevelled edge of the flat glass in a bezel; the hanger of flat wire, flanked by two separate spirals in tapering flat wire of four turns.
Frame: Recent twentieth-century brass (?)-gilt oval locket, the convex back bent over in a sharp arris to meet the straight sides (imitating a seventeenth-century type with closing front cover), which hold the bevelled edge of the flat glass in a bezel; the hanger of flat wire, flanked by two separate spirals in tapering flat wire of four turns.
Object details
Categories | |
Object type | |
Title | An Unknown Man, possibly James II as Duke of York (generic title) |
Materials and techniques | Watercolour on vellum put down on pasteboard |
Brief description | Portrait miniature of an unknown man, possibly James II as Duke of York, watercolour on vellum by Richard Gibson, ca.1670. |
Physical description | Portrait of a man, turned slightly to left and looking to front; the sitter is wearing a patterned lace neckcloth. Features in brown, sanguine and grey with some blue shadowing, diagonally hatched across the features and heavily impasted with coloured gouache and with white for the lights; touches of white and brownish yellow in the eyes and a white high spot on the tip of the nose; all on a pale carnation ground; hair in brown wash, heavily hatched with darker colour and with the lights in grey gouache, also over the carnation; cravat in white shaded with grey; costume in washes of brown-yellow and dark brown; background a plain dark brown wash; on vellum put down on pasteboard. Frame: Recent twentieth-century brass (?)-gilt oval locket, the convex back bent over in a sharp arris to meet the straight sides (imitating a seventeenth-century type with closing front cover), which hold the bevelled edge of the flat glass in a bezel; the hanger of flat wire, flanked by two separate spirals in tapering flat wire of four turns. |
Dimensions |
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Content description | Portrait of a man with long hair, wearing a lace neckcloth. |
Styles | |
Marks and inscriptions | '37' and 'III' (Inscribed on the back of card) |
Credit line | Purchased with funds from the Stephenson Bequest |
Object history | Provenance: Acquired from an unrecorded source by J Pierpont Morgan; sold Christie's 24 June 1935, lot 51 (as Sir Robert Walpole by Lawrence Crosse); bt Frost & Reed on behalf of Mr G H Kemp, on whose death in 1940 the miniature was sold by his executors through Frost & Reed to the Museum; bt with funds from the R H Stephenson Bequest. |
Subject depicted | |
Bibliographic reference | Murdoch, John. Seventeenth-century English Miniatures in the collection of the Victoria and Albert Museum. London: The Stationery Office, 1997. |
Collection | |
Accession number | P.12-1940 |
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Record created | July 3, 2003 |
Record URL |
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