Image of Gallery in South Kensington
On display at V&A South Kensington
Ceramics, Room 139, The Curtain Foundation Gallery

Beaker

ca. 1870 (made)
Artist/Maker
Place of origin

Object Type
Watcombe Pottery were proud of their fine red clay and specialised in clean, classical shapes. This suited Dresser's own interest in strong forms. This beaker with a jug, second beaker and matching tray (Museum numbers C.59&B to C-1980) is sometimes described as a lemonade set although its exact purpose is unknown.

Place
Watcombe Pottery was established in about 1870 following the discovery of a bed of fine red clay at Watcombe House, Teignmouth Road, St Mary Church, north of Torquay. There is no documentary evidence of Dresser's collaboration with Watcombe but it is usually accepted on stylistic grounds. Dresser visited Japan on several occasions and in 1877 presented the Emperor with European artefacts including one example of Watcombe pottery.

Time
A number of potteries grew up or turned to art pottery in the west of England in the 1870s and 1880s. Their reliance on the distinctive local red clay makes their production recognisable as coming from Devon or Somerset. The design of the jug in this set closely resembles one registered by Watcombe in 1872. Documentary evidence is lacking, but it is assumed that Dresser designed for the pottery from about this time.


Object details

Categories
Object type
Materials and techniques
Red earthenware, glazed
Brief description
Red earthenware beaker, of geometric form, with simple decoration. British (Torquay), ca. 1870. Probably designed by Christopher Dresser, manufactured by the Watcombe Pottery Co.
Physical description
Beaker of red earthenware, straight-sided, with two bands of rouletting, one near to the base and the other near to the rim. Glazed inside and around the rim.
Dimensions
  • Height: 10.8cm
  • Width: 8.8cm
Gallery label
British Galleries: JUG AND BEAKER SET AND VASE
Forms like these would not have been possible without Dresser's appreciation of the Japanese aesthetic. While there is no direct parallel to these forms in Japanese art, the straight handles and geometric shapes owe much to the Japanese approach to design.(27/03/2003)
Object history
Probably designed by Christopher Dresser (born in Glasgow, 1834, died in Mulhouse, France, 1904); made by Watcombe Pottery Co.,Torquay, Devon

Historical significance: Forms like this would not have been possible without Dresser's appreciation of the Japanese aesthetic. While there is no direct parallel to these forms in Japanese art, it was Dresser's consuming interest in the art and aesthetics of Japan, coupled with his own concerns as a designer for the function of the object and the techniques of mass production, which would inspire work such as this.
Production
Though this piece is not firmly attributed to Dresser he is thought to have supplied the Watcombe pottery with designs from the early 1870s. The simplicity, neatness and angularity of this design is very similar to some of Dresser's metalwork designs of the 1880s.
This is part of a set with C.59-1980, C.59B-1980 and C.59C-1980.
Summary
Object Type
Watcombe Pottery were proud of their fine red clay and specialised in clean, classical shapes. This suited Dresser's own interest in strong forms. This beaker with a jug, second beaker and matching tray (Museum numbers C.59&B to C-1980) is sometimes described as a lemonade set although its exact purpose is unknown.

Place
Watcombe Pottery was established in about 1870 following the discovery of a bed of fine red clay at Watcombe House, Teignmouth Road, St Mary Church, north of Torquay. There is no documentary evidence of Dresser's collaboration with Watcombe but it is usually accepted on stylistic grounds. Dresser visited Japan on several occasions and in 1877 presented the Emperor with European artefacts including one example of Watcombe pottery.

Time
A number of potteries grew up or turned to art pottery in the west of England in the 1870s and 1880s. Their reliance on the distinctive local red clay makes their production recognisable as coming from Devon or Somerset. The design of the jug in this set closely resembles one registered by Watcombe in 1872. Documentary evidence is lacking, but it is assumed that Dresser designed for the pottery from about this time.
Associated objects
Bibliographic references
  • Durant, Stuart. Christopher Dresser. London, 1993. p.112.
  • Halén, Widar. Christopher Dresser. Oxford, 1990. pp.129, 136.
Collection
Accession number
C.59A-1980

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Record createdJune 23, 1998
Record URL
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