Skirt Length
ca. 1850 (made)
Artist/Maker | |
Place of origin |
This long piece of embroidery was originally made as a skirt, and would normally have been gathered into a cotton waistband with a drawstring at the top. The hem would probably also have been given additional weight by a facing of thicker material. The materials, design and technique are all typical of the fine embroidery of Kutch, part of the modern state of Gujarat in north-western India.This type of chain-stitch embroidery was the speciality of professional male embroiderers from the Mochi community of Kutch in Gujarat. They were originally leather workers and had developed a technique of silk embroidery on leather using a type of hooked awl. This method was later adapted for use on cloth. The Mochi work of Kutch is among the finest embroidery ever produced in India, and was used for textiles at the Mughal court as well as for the wealthy patrons of urban Gujarat.
Design & Designing
This skirt-piece is embroidered with a repeating floral pattern on a rich yellow ground. While the ground colour is typical of Kutch embroidery, the floral motifs have obviously been influenced by Mughal designs. Floral patterns like this were usually interspersed with peacocks or human figures in the more traditional Kutchi pieces.
Design & Designing
This skirt-piece is embroidered with a repeating floral pattern on a rich yellow ground. While the ground colour is typical of Kutch embroidery, the floral motifs have obviously been influenced by Mughal designs. Floral patterns like this were usually interspersed with peacocks or human figures in the more traditional Kutchi pieces.
Object details
Categories | |
Object type | |
Parts | This object consists of 2 parts.
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Materials and techniques | Satin-woven silk, embroidered in chain stitch with silk thread |
Brief description | Garment, Kutch, Gujarat, mid 19th century |
Physical description | Unsewn skirt piece. Yellow satin-woven silk with silk embroidery. |
Dimensions |
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Gallery label |
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Object history | Purchased from the 1851 Exhibition. |
Historical context | This skirt piece was one of several examples of Indian textile illustrated in Owen Jones's book, The Grammar of Ornament, (London, 1856). |
Subject depicted | |
Summary | This long piece of embroidery was originally made as a skirt, and would normally have been gathered into a cotton waistband with a drawstring at the top. The hem would probably also have been given additional weight by a facing of thicker material. The materials, design and technique are all typical of the fine embroidery of Kutch, part of the modern state of Gujarat in north-western India.This type of chain-stitch embroidery was the speciality of professional male embroiderers from the Mochi community of Kutch in Gujarat. They were originally leather workers and had developed a technique of silk embroidery on leather using a type of hooked awl. This method was later adapted for use on cloth. The Mochi work of Kutch is among the finest embroidery ever produced in India, and was used for textiles at the Mughal court as well as for the wealthy patrons of urban Gujarat. Design & Designing This skirt-piece is embroidered with a repeating floral pattern on a rich yellow ground. While the ground colour is typical of Kutch embroidery, the floral motifs have obviously been influenced by Mughal designs. Floral patterns like this were usually interspersed with peacocks or human figures in the more traditional Kutchi pieces. |
Bibliographic reference | Catalogue of the objects of Indian art exhibited in the South Kensington Museum / by H.H. Cole. London: Printed by George E. Eyre and William Spottiswoode and sold by Chapman & Hall, 1874
p. 256
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Collection | |
Accession number | 791A-1852 |
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Record created | May 20, 2003 |
Record URL |
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