Dorothea
Figure
1847 (modelled), 1865 (made)
1847 (modelled), 1865 (made)
| Artist/Maker | |
| Place of origin |
Object Type
For more than a century before this piece was made genuine ancient classical sculpture in white marble had been one of the most expensive and superior forms of collectable art. It implied the continental European travel, an expensive education and aristocratic taste. It also suggested an intimate knowledge of Rome and the ancient world. Ownership of statuary porcelain, otherwise known as Parian ware, suggested a peripheral association with this highly exclusive world. When the statues became available as prizes in the Art Union lottery they became even more popular and accessible to the new middle classes. The Minton ceramic factory produced over 500 Parian figures between 1845 and 1910.
Materials & Making
Parian ware is a highly vitrified ceramic closer to European hard porcelains than English bone china. The basic materials for its manufacture are feldspar, Cornish clay and Cornish stone. 'Parian ware' was Minton's trade name for the material. It is largely impervious to damp and dirt and easily cleanable. Each part of a Parian figure was made in a separate mould. The smooth appearance of the finished figure was admired as much for the technical skill in its manufacture as for its aesthetic qualities.
Trading
At the Great Exhibition in London of 1851 more than ten manufacturers, including all the leading names in the British ceramic industry, included Parian in their displays. It was enthusiastically received both by critics and the Royal Family. One commentator wrote that Parian 'was becoming one of the most generally admired and gold-productive of all the achievements of ceramic art'. All the manufacturers charged high prices for their Parian wares from the outset. Even a popular figure such as Minton's Dorothea, registered in 1847, was sold for 2 guineas at time when many people were still earning œ1 per week or less. Parian was offered as a prize through the Art Union and other lotteries, which charged œ1 for a ticket in their annual ballots.
Subject Depicted
The original life-sized marble figure of this piece was originally made for Felix Summerly's Art Manufactures. It was commissioned from John Bell (1811-1895) in 1838 by Lord Lansdowne. The subject is from the Spanish writer Miguel de Cervantes' novel Don Quixote, part 1: 'They espied a youth dressed like a peasant stooping to bathe his lovely feet in a rivulet...the lovely maiden looked up...'
For more than a century before this piece was made genuine ancient classical sculpture in white marble had been one of the most expensive and superior forms of collectable art. It implied the continental European travel, an expensive education and aristocratic taste. It also suggested an intimate knowledge of Rome and the ancient world. Ownership of statuary porcelain, otherwise known as Parian ware, suggested a peripheral association with this highly exclusive world. When the statues became available as prizes in the Art Union lottery they became even more popular and accessible to the new middle classes. The Minton ceramic factory produced over 500 Parian figures between 1845 and 1910.
Materials & Making
Parian ware is a highly vitrified ceramic closer to European hard porcelains than English bone china. The basic materials for its manufacture are feldspar, Cornish clay and Cornish stone. 'Parian ware' was Minton's trade name for the material. It is largely impervious to damp and dirt and easily cleanable. Each part of a Parian figure was made in a separate mould. The smooth appearance of the finished figure was admired as much for the technical skill in its manufacture as for its aesthetic qualities.
Trading
At the Great Exhibition in London of 1851 more than ten manufacturers, including all the leading names in the British ceramic industry, included Parian in their displays. It was enthusiastically received both by critics and the Royal Family. One commentator wrote that Parian 'was becoming one of the most generally admired and gold-productive of all the achievements of ceramic art'. All the manufacturers charged high prices for their Parian wares from the outset. Even a popular figure such as Minton's Dorothea, registered in 1847, was sold for 2 guineas at time when many people were still earning œ1 per week or less. Parian was offered as a prize through the Art Union and other lotteries, which charged œ1 for a ticket in their annual ballots.
Subject Depicted
The original life-sized marble figure of this piece was originally made for Felix Summerly's Art Manufactures. It was commissioned from John Bell (1811-1895) in 1838 by Lord Lansdowne. The subject is from the Spanish writer Miguel de Cervantes' novel Don Quixote, part 1: 'They espied a youth dressed like a peasant stooping to bathe his lovely feet in a rivulet...the lovely maiden looked up...'
Object details
| Categories | |
| Object type | |
| Title | Dorothea (assigned by artist) |
| Materials and techniques | Parian porcelain |
| Brief description | Parian ware figure. British (Stoke-on-Trent), designed 1847, made 1865. Made by Minton's for Summerly's Art Manufactures, after a sculpture by John Bell. |
| Physical description | Dorothea (from Cervantes' Don Quixote) is a reduced model of a life-size marble figure made in 1838 by John Bell for Lord Lansdowne. The model is made from a special form of biscuit porcelain which was named 'Parian' after the Greek marble which it intended to imitate. |
| Dimensions |
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| Gallery label |
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| Object history | Designed by John Bell (born in Hepton, Suffolk, 1811, died in London, 1895) for Felix Summerly's Art Manufactures; made by Minton & Co., Stoke-on-Trent, Staffordshire Historical significance: Dorothea was one of a number of models already in production at Minton's which were selected by the Art Union movement for use as prizes. |
| Production | This figure was first produced by Minton in 1847. |
| Subjects depicted | |
| Summary | Object Type For more than a century before this piece was made genuine ancient classical sculpture in white marble had been one of the most expensive and superior forms of collectable art. It implied the continental European travel, an expensive education and aristocratic taste. It also suggested an intimate knowledge of Rome and the ancient world. Ownership of statuary porcelain, otherwise known as Parian ware, suggested a peripheral association with this highly exclusive world. When the statues became available as prizes in the Art Union lottery they became even more popular and accessible to the new middle classes. The Minton ceramic factory produced over 500 Parian figures between 1845 and 1910. Materials & Making Parian ware is a highly vitrified ceramic closer to European hard porcelains than English bone china. The basic materials for its manufacture are feldspar, Cornish clay and Cornish stone. 'Parian ware' was Minton's trade name for the material. It is largely impervious to damp and dirt and easily cleanable. Each part of a Parian figure was made in a separate mould. The smooth appearance of the finished figure was admired as much for the technical skill in its manufacture as for its aesthetic qualities. Trading At the Great Exhibition in London of 1851 more than ten manufacturers, including all the leading names in the British ceramic industry, included Parian in their displays. It was enthusiastically received both by critics and the Royal Family. One commentator wrote that Parian 'was becoming one of the most generally admired and gold-productive of all the achievements of ceramic art'. All the manufacturers charged high prices for their Parian wares from the outset. Even a popular figure such as Minton's Dorothea, registered in 1847, was sold for 2 guineas at time when many people were still earning œ1 per week or less. Parian was offered as a prize through the Art Union and other lotteries, which charged œ1 for a ticket in their annual ballots. Subject Depicted The original life-sized marble figure of this piece was originally made for Felix Summerly's Art Manufactures. It was commissioned from John Bell (1811-1895) in 1838 by Lord Lansdowne. The subject is from the Spanish writer Miguel de Cervantes' novel Don Quixote, part 1: 'They espied a youth dressed like a peasant stooping to bathe his lovely feet in a rivulet...the lovely maiden looked up...' |
| Bibliographic references |
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| Collection | |
| Accession number | 44-1865 |
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| Record created | June 23, 1998 |
| Record URL |
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