Figure
ca. 1749 (made)
| Artist/Maker | |
| Place of origin |
Object Type
This small sculpture of a retrieving setter with two dead partridges matches one of a greyhound with a dead hare. The pair were purely ornamental, and would probably have been displayed on a mantelpiece, in a glazed cabinet, or on another domestic furnishing. Their backs are comparatively uninteresting, so they were probably not intended to be seen from all sides.
People
The dogs were probably modelled by Nicholas Sprimont (1716-1771), the manager of the Chelsea porcelain factory. Sprimont is a rare instance of an English porcelain entrepreneur with design skills. A visitor to England around 1750 commented that 'an able French artist' supplied 'or directs the models' of everything made at Chelsea (Sprimont wasn't actually French, but was from a French-speaking part of Flanders). According to his widow, Sprimont had 'by his superior skill and taste in the arts of drawing and modelling and painting instructed and perfected several apprentices, workmen and servants'. He was also a gifted designer of silver, in which craft he had worked before setting up the Chelsea factory.
This small sculpture of a retrieving setter with two dead partridges matches one of a greyhound with a dead hare. The pair were purely ornamental, and would probably have been displayed on a mantelpiece, in a glazed cabinet, or on another domestic furnishing. Their backs are comparatively uninteresting, so they were probably not intended to be seen from all sides.
People
The dogs were probably modelled by Nicholas Sprimont (1716-1771), the manager of the Chelsea porcelain factory. Sprimont is a rare instance of an English porcelain entrepreneur with design skills. A visitor to England around 1750 commented that 'an able French artist' supplied 'or directs the models' of everything made at Chelsea (Sprimont wasn't actually French, but was from a French-speaking part of Flanders). According to his widow, Sprimont had 'by his superior skill and taste in the arts of drawing and modelling and painting instructed and perfected several apprentices, workmen and servants'. He was also a gifted designer of silver, in which craft he had worked before setting up the Chelsea factory.
Object details
| Categories | |
| Object type | |
| Materials and techniques | Soft-paste porcelain |
| Brief description | Figure of a dog, soft-paste porcelain, possibly modelled by Nicholas Sprimont, made at the Chelsea porcelain factory, London, c. 1749 |
| Physical description | FIGURE of a retrieving setter |
| Dimensions |
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| Gallery label |
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| Object history | Possibly modelled by Nicholas Sprimont (1716-1771), made at the Chelsea porcelain factory, London |
| Subjects depicted | |
| Summary | Object Type This small sculpture of a retrieving setter with two dead partridges matches one of a greyhound with a dead hare. The pair were purely ornamental, and would probably have been displayed on a mantelpiece, in a glazed cabinet, or on another domestic furnishing. Their backs are comparatively uninteresting, so they were probably not intended to be seen from all sides. People The dogs were probably modelled by Nicholas Sprimont (1716-1771), the manager of the Chelsea porcelain factory. Sprimont is a rare instance of an English porcelain entrepreneur with design skills. A visitor to England around 1750 commented that 'an able French artist' supplied 'or directs the models' of everything made at Chelsea (Sprimont wasn't actually French, but was from a French-speaking part of Flanders). According to his widow, Sprimont had 'by his superior skill and taste in the arts of drawing and modelling and painting instructed and perfected several apprentices, workmen and servants'. He was also a gifted designer of silver, in which craft he had worked before setting up the Chelsea factory. |
| Collection | |
| Accession number | C.246A-1976 |
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| Record created | April 25, 2003 |
| Record URL |
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