Drawing
1845 (made)
Artist/Maker | |
Place of origin |
Lord Shrewsbury funded the building and decoration of St. Giles which was Pugin's most richly fitted church. The decorative work for St. Giles Church, Cheadle, was discussed in several letters from Pugin to J.G. Crace in 1845. The designs here were executed with minor modifications and survived in 1980.
Augustus Welby Northmore Pugin (1812-52) is widely considered as one of the most significant and influential architects, designers and theorists of the 19th century. Following his conversion to Catholicism in 1835, he identified the Gothic style with Christian architecture and his work and writings inspired and framed the Gothic Revival. In 'Contrasts', published in 1836, he condemned classical forms and ardently praised 14th and 15th-century architecture. Pugin is best remembered for his work on the Palace of Westminster.
Augustus Welby Northmore Pugin (1812-52) is widely considered as one of the most significant and influential architects, designers and theorists of the 19th century. Following his conversion to Catholicism in 1835, he identified the Gothic style with Christian architecture and his work and writings inspired and framed the Gothic Revival. In 'Contrasts', published in 1836, he condemned classical forms and ardently praised 14th and 15th-century architecture. Pugin is best remembered for his work on the Palace of Westminster.
Object details
Categories | |
Object type | |
Materials and techniques | Pencil on blue notepaper |
Brief description | Design for two angels kneeling within a circle; A.W.N. Pugin, 1845. |
Physical description | Design for two angels for St. Giles Church, Cheadle. The angels are kneeling within a circle, swinging a censer of thurible. The angel shown looking to the right is drawn in some detail, that looking to the left, the same design but in reverse, is a rough sketch. The censer and a detail of the angel's robe are drawn out in more detail. |
Dimensions |
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Style | |
Marks and inscriptions | (with colour notes and one measurement) |
Object history | The decorative work for St. Giles Church, Cheadle, is discussed in several letters from Pugin to J.G. Crace in 1845. Lord Shrewsbury funded the building and decoration of St. Giles which was Pugin's most richly fitted church. The designs here were executed with minor modifications and survived in 1980. |
Subjects depicted | |
Place depicted | |
Summary | Lord Shrewsbury funded the building and decoration of St. Giles which was Pugin's most richly fitted church. The decorative work for St. Giles Church, Cheadle, was discussed in several letters from Pugin to J.G. Crace in 1845. The designs here were executed with minor modifications and survived in 1980. Augustus Welby Northmore Pugin (1812-52) is widely considered as one of the most significant and influential architects, designers and theorists of the 19th century. Following his conversion to Catholicism in 1835, he identified the Gothic style with Christian architecture and his work and writings inspired and framed the Gothic Revival. In 'Contrasts', published in 1836, he condemned classical forms and ardently praised 14th and 15th-century architecture. Pugin is best remembered for his work on the Palace of Westminster. |
Bibliographic reference | Alexandra Wedgwood, A.W.N. Pugin and the Pugin Family , London; V&A, 1985, p. 187.
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Collection | |
Accession number | D.1068-1908 |
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Record created | June 30, 2009 |
Record URL |
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