Mould
1790-1810 (made)
| Artist/Maker | |
| Place of origin |
Object Type
This mould features a stylised covered cup or vase. The handles are formed like acanthus leaves and are embellished with drapery swags. The rim of the bowl is decorated with the Greek wave pattern, and the body of the bowl with gadrooning, a pattern of sweeping, concave flutes. The actual plaster ornament was produced by pressing 'composition' into the mould.
Design & Designing
This motif is derived from the shape and decoration of cups and vases used in ancient Greece and Rome. It was revived in Europe from the Renaissance onwards and became especially popular in 18th-century Neo-classical decorative schemes.
Materials & Making
The mould was made by a specialist carver for firms making composition ornament. Boxwood is very hard and can take a great deal of detailed carving. Its hardness also makes it robust, necessary for a mould such as this which has been reused countless times.
Composition ('comp' for short) is a type of paste or putty made from glue, rosin (resin), linseed oil and whiting (chalk). It was pressed into the oiled mould and squeezed in a screw press. The pressing was removed from the mould while still flexible and applied to a backing.
Time
Moulds of this kind were used widely from about 1780 until about 1900. The use of moulds to make plaster reproductions reduced the demand for ornamental carvings in wood. After about 1850 the manufacturing process became more mechanised, though moulds continued to be used.
People
The mould was part of a collection owned by George Jackson & Sons, Ltd, a firm founded by George Jackson (1756-1840).
This mould features a stylised covered cup or vase. The handles are formed like acanthus leaves and are embellished with drapery swags. The rim of the bowl is decorated with the Greek wave pattern, and the body of the bowl with gadrooning, a pattern of sweeping, concave flutes. The actual plaster ornament was produced by pressing 'composition' into the mould.
Design & Designing
This motif is derived from the shape and decoration of cups and vases used in ancient Greece and Rome. It was revived in Europe from the Renaissance onwards and became especially popular in 18th-century Neo-classical decorative schemes.
Materials & Making
The mould was made by a specialist carver for firms making composition ornament. Boxwood is very hard and can take a great deal of detailed carving. Its hardness also makes it robust, necessary for a mould such as this which has been reused countless times.
Composition ('comp' for short) is a type of paste or putty made from glue, rosin (resin), linseed oil and whiting (chalk). It was pressed into the oiled mould and squeezed in a screw press. The pressing was removed from the mould while still flexible and applied to a backing.
Time
Moulds of this kind were used widely from about 1780 until about 1900. The use of moulds to make plaster reproductions reduced the demand for ornamental carvings in wood. After about 1850 the manufacturing process became more mechanised, though moulds continued to be used.
People
The mould was part of a collection owned by George Jackson & Sons, Ltd, a firm founded by George Jackson (1756-1840).
Object details
| Category | |
| Object type | |
| Materials and techniques | Strip of boxwood, set in beech block |
| Brief description | Mould for plaster ornament and composition pressing, 1790-1810, English |
| Physical description | Mould for plaster ornament and composition pressing with a double-handled covered cup or vase design |
| Gallery label |
|
| Credit line | Given by Clark and Fenn Ltd. |
| Object history | Unknown |
| Summary | Object Type This mould features a stylised covered cup or vase. The handles are formed like acanthus leaves and are embellished with drapery swags. The rim of the bowl is decorated with the Greek wave pattern, and the body of the bowl with gadrooning, a pattern of sweeping, concave flutes. The actual plaster ornament was produced by pressing 'composition' into the mould. Design & Designing This motif is derived from the shape and decoration of cups and vases used in ancient Greece and Rome. It was revived in Europe from the Renaissance onwards and became especially popular in 18th-century Neo-classical decorative schemes. Materials & Making The mould was made by a specialist carver for firms making composition ornament. Boxwood is very hard and can take a great deal of detailed carving. Its hardness also makes it robust, necessary for a mould such as this which has been reused countless times. Composition ('comp' for short) is a type of paste or putty made from glue, rosin (resin), linseed oil and whiting (chalk). It was pressed into the oiled mould and squeezed in a screw press. The pressing was removed from the mould while still flexible and applied to a backing. Time Moulds of this kind were used widely from about 1780 until about 1900. The use of moulds to make plaster reproductions reduced the demand for ornamental carvings in wood. After about 1850 the manufacturing process became more mechanised, though moulds continued to be used. People The mould was part of a collection owned by George Jackson & Sons, Ltd, a firm founded by George Jackson (1756-1840). |
| Associated object | |
| Collection | |
| Accession number | W.37:1-1989 |
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| Record created | March 27, 2003 |
| Record URL |
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