Furnishing Fabric
1830-1836 (made)
| Artist/Maker | |
| Place of origin |
Object Type
The pattern of this printed cotton has been created with an engraved metal roller, and its additional colours built up using either wooden rollers or a woodblock. Roller-printing on textiles had been introduced in the late 18th century, and at first was used mainly for small-patterned dress fabrics. By the 1830s it had become a highly mechanised process, and had largely replaced block-printing in the production of fashionable furnishings.
Places
Bannister Hall, near Preston, Lancashire, was the leading printworks for woodblock furniture chintzes and set the fashion for other factories. Printing was carried out for London and Manchester merchants, who commissioned designs from skilled artists and sent them to be printed. Between 1825 and 1856 the firm was known as Charles Swainson & Company.
Design & Designing
Many of the engravers of metal rollers were skilled draughtsmen. Joseph Lockett, one of the finest engravers working in the English industry in the first half of the 19th century, was largely responsible for the fashion in the 1830s for 'fancy machine-grounds', seen here, in which the whole background was covered with minute elaborately engraved patterns.
The pattern of this printed cotton has been created with an engraved metal roller, and its additional colours built up using either wooden rollers or a woodblock. Roller-printing on textiles had been introduced in the late 18th century, and at first was used mainly for small-patterned dress fabrics. By the 1830s it had become a highly mechanised process, and had largely replaced block-printing in the production of fashionable furnishings.
Places
Bannister Hall, near Preston, Lancashire, was the leading printworks for woodblock furniture chintzes and set the fashion for other factories. Printing was carried out for London and Manchester merchants, who commissioned designs from skilled artists and sent them to be printed. Between 1825 and 1856 the firm was known as Charles Swainson & Company.
Design & Designing
Many of the engravers of metal rollers were skilled draughtsmen. Joseph Lockett, one of the finest engravers working in the English industry in the first half of the 19th century, was largely responsible for the fashion in the 1830s for 'fancy machine-grounds', seen here, in which the whole background was covered with minute elaborately engraved patterns.
Object details
| Categories | |
| Object type | |
| Materials and techniques | Cotton, roller-printed, with additional colour added by surface roller or block |
| Brief description | Panel of floral furnishing fabric, 1830-1836, Lancashire, England, printed by Bannister Hall for Clarkson & Turner |
| Physical description | Furnishing fabric |
| Dimensions |
|
| Gallery label |
|
| Credit line | Given by Edith J. Hipkins |
| Object history | Printed at Bannister Hall, Lancashire, for Clarkson and Turner |
| Summary | Object Type The pattern of this printed cotton has been created with an engraved metal roller, and its additional colours built up using either wooden rollers or a woodblock. Roller-printing on textiles had been introduced in the late 18th century, and at first was used mainly for small-patterned dress fabrics. By the 1830s it had become a highly mechanised process, and had largely replaced block-printing in the production of fashionable furnishings. Places Bannister Hall, near Preston, Lancashire, was the leading printworks for woodblock furniture chintzes and set the fashion for other factories. Printing was carried out for London and Manchester merchants, who commissioned designs from skilled artists and sent them to be printed. Between 1825 and 1856 the firm was known as Charles Swainson & Company. Design & Designing Many of the engravers of metal rollers were skilled draughtsmen. Joseph Lockett, one of the finest engravers working in the English industry in the first half of the 19th century, was largely responsible for the fashion in the 1830s for 'fancy machine-grounds', seen here, in which the whole background was covered with minute elaborately engraved patterns. |
| Collection | |
| Accession number | T.52-1911 |
About this object record
Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.
You can write to us to suggest improvements to the record.
Suggest feedback
You can write to us to suggest improvements to the record.
Suggest feedback
| Record created | March 27, 2003 |
| Record URL |
Download as: JSONIIIF Manifest
