Pair of Gloves
1660s (made)
| Artist/Maker | |
| Place of origin |
Object Type
No 17th-century ensemble was complete without gloves and this particularly lavish pair would have belonged to someone well-born and very wealthy.
Ownership & Use
In an age when personal hygiene involved the masking of body odours rather than washing them away, gloves were often perfumed. Recipes for scenting gloves survive from the 17th century using ingredients such as musk, ambergris, floral extracts and aromatic spices.
Materials & Making
This richly decorated leather glove has silver and silver-gilt embroidery on the gauntlet, with an underlay of coral-coloured silk ribbon. The precious metals have been applied in a variety of forms: strip (broad, flat length of metal), purl (a tube of densely coiled metal), thread (a thin strip of metal wrapped around a linen or silk thread) and spangles (known now as sequins).
Time
As the 17th century progressed, the shape of gloves changed. The gauntlets became smaller and the length of the fingers shortened to more natural proportions. The embroidery is much denser than at the beginning of the 17th century, with a preference for metal thread over coloured silks.
No 17th-century ensemble was complete without gloves and this particularly lavish pair would have belonged to someone well-born and very wealthy.
Ownership & Use
In an age when personal hygiene involved the masking of body odours rather than washing them away, gloves were often perfumed. Recipes for scenting gloves survive from the 17th century using ingredients such as musk, ambergris, floral extracts and aromatic spices.
Materials & Making
This richly decorated leather glove has silver and silver-gilt embroidery on the gauntlet, with an underlay of coral-coloured silk ribbon. The precious metals have been applied in a variety of forms: strip (broad, flat length of metal), purl (a tube of densely coiled metal), thread (a thin strip of metal wrapped around a linen or silk thread) and spangles (known now as sequins).
Time
As the 17th century progressed, the shape of gloves changed. The gauntlets became smaller and the length of the fingers shortened to more natural proportions. The embroidery is much denser than at the beginning of the 17th century, with a preference for metal thread over coloured silks.
Object details
| Categories | |
| Object type | |
| Parts | This object consists of 2 parts.
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| Materials and techniques | Leather, silk, silver, gold; tanned, hand-woven, hand-embroidered, hand-sewn |
| Brief description | Pair of brown doeskin gloves, England, 1660s; embroidered with silver and silver-gilt thread. |
| Physical description | Pair of doeskin gloves, dyed dark brown. The cuffs are outlined with carnation silk ribbon and embroidered with silver and silver-gilt filé, spangles, strip and purl. The cuffs are lined with carnation silk taffeta and edged with bobbin lace of silver-gilt filé and strip. |
| Dimensions |
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| Gallery label |
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| Object history | Made in England |
| Summary | Object Type No 17th-century ensemble was complete without gloves and this particularly lavish pair would have belonged to someone well-born and very wealthy. Ownership & Use In an age when personal hygiene involved the masking of body odours rather than washing them away, gloves were often perfumed. Recipes for scenting gloves survive from the 17th century using ingredients such as musk, ambergris, floral extracts and aromatic spices. Materials & Making This richly decorated leather glove has silver and silver-gilt embroidery on the gauntlet, with an underlay of coral-coloured silk ribbon. The precious metals have been applied in a variety of forms: strip (broad, flat length of metal), purl (a tube of densely coiled metal), thread (a thin strip of metal wrapped around a linen or silk thread) and spangles (known now as sequins). Time As the 17th century progressed, the shape of gloves changed. The gauntlets became smaller and the length of the fingers shortened to more natural proportions. The embroidery is much denser than at the beginning of the 17th century, with a preference for metal thread over coloured silks. |
| Collection | |
| Accession number | T.225&A-1968 |
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| Record created | March 27, 2003 |
| Record URL |
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