Cushion Cover
1600-1620 (made)
Artist/Maker | |
Place of origin |
Object Type
Cushions were important domestic furnishings. In an age when fixed upholstery did not exist, they made hard wooden seats more comfortable, as well as adding decoration and colour. Chairs were then unusual, but the cushions could be used on wooden stools and benches, on window seats and chapel stalls. They might be made of tapestry or other woven fabrics, or embroidered canvas, silk or velvet. Many embroidered cushions survive in historic houses and are therefore more familiar, but a small number of tapestry cushions are also known.
People
Conspicuous display of social and economic standing, once the privilege only of the aristocracy, was an important result of the increasing wealth of Elizabethan society. More and more people could afford luxury items which could be displayed inside their house, and some made use of coats of arms, names or initials on the fabric of the building itself. This cushion cover is modest and relatively simple in style. It shows the arms of a once influential provincial family, although it is not entirely certain which of them was the cushion’s first owner. There were several men in different branches of the family called Henry Sacheverell – represented by the H and S – to whom this cushion, and its twin in the Burrell Collection in Glasgow, might have belonged.
Cushions were important domestic furnishings. In an age when fixed upholstery did not exist, they made hard wooden seats more comfortable, as well as adding decoration and colour. Chairs were then unusual, but the cushions could be used on wooden stools and benches, on window seats and chapel stalls. They might be made of tapestry or other woven fabrics, or embroidered canvas, silk or velvet. Many embroidered cushions survive in historic houses and are therefore more familiar, but a small number of tapestry cushions are also known.
People
Conspicuous display of social and economic standing, once the privilege only of the aristocracy, was an important result of the increasing wealth of Elizabethan society. More and more people could afford luxury items which could be displayed inside their house, and some made use of coats of arms, names or initials on the fabric of the building itself. This cushion cover is modest and relatively simple in style. It shows the arms of a once influential provincial family, although it is not entirely certain which of them was the cushion’s first owner. There were several men in different branches of the family called Henry Sacheverell – represented by the H and S – to whom this cushion, and its twin in the Burrell Collection in Glasgow, might have belonged.
Object details
Categories | |
Object type | |
Materials and techniques | Silk and wool, with silver and silver-gilt thread |
Brief description | Cushion cover with arms of Sacheverell |
Physical description | Cushion cover |
Dimensions |
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Marks and inscriptions | Showing the arms of the Sacheverell family, and probably the initials of Henry Sacheverell (married 1638, birth and death dates unknown) |
Gallery label |
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Object history | Formerly at Wolles Hall, WorcestershireMade at the Sheldon tapestry workshops at Bordesley, Worcestershire or Barcheston, Warwickshire |
Production | Made at the Sheldon tapestry workshops at Barcheston, Warwickshire |
Summary | Object Type Cushions were important domestic furnishings. In an age when fixed upholstery did not exist, they made hard wooden seats more comfortable, as well as adding decoration and colour. Chairs were then unusual, but the cushions could be used on wooden stools and benches, on window seats and chapel stalls. They might be made of tapestry or other woven fabrics, or embroidered canvas, silk or velvet. Many embroidered cushions survive in historic houses and are therefore more familiar, but a small number of tapestry cushions are also known. People Conspicuous display of social and economic standing, once the privilege only of the aristocracy, was an important result of the increasing wealth of Elizabethan society. More and more people could afford luxury items which could be displayed inside their house, and some made use of coats of arms, names or initials on the fabric of the building itself. This cushion cover is modest and relatively simple in style. It shows the arms of a once influential provincial family, although it is not entirely certain which of them was the cushion’s first owner. There were several men in different branches of the family called Henry Sacheverell – represented by the H and S – to whom this cushion, and its twin in the Burrell Collection in Glasgow, might have belonged. |
Collection | |
Accession number | T.195-1914 |
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Record created | March 27, 2003 |
Record URL |
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