Lace Panel
1600-1650 (made)
Artist/Maker | |
Place of origin |
Object Type
Lace-making developed in England during the 16th century in response to the growth in personal wealth and to changes in fashionable dress. Needle lace, still then seen as a branch of embroidery, was made in professional workshops in London. But through the teaching of embroidery as a domestic skill with needle lace stitches in the repertoire, lace was also made at home, for the decoration of household linen, clothing and other objects. This piece appears to have been made without a practical purpose, but as a demonstration of the embroiderer's skill.
Design & Designing
The most popular subjects for the needlework pictures and panels to which this lace is related, were scenes from the Old Testament of the Bible and classical mythology. This piece includes various motifs which the maker, who has signed herself B.E.B., would have found in pattern books and which could have also been used for embroidery, particularly the animals, birds and flowers around the border.
Subject Depicted
This panel shows Adam and Eve being tempted by the serpent in the Garden of Eden. In the Judeo-Christian and Islamic traditions, they are the original human couple, parents of the human race. The inscription refers to their fall from grace after eating the forbidden fruit of the tree of knowledge.
Lace-making developed in England during the 16th century in response to the growth in personal wealth and to changes in fashionable dress. Needle lace, still then seen as a branch of embroidery, was made in professional workshops in London. But through the teaching of embroidery as a domestic skill with needle lace stitches in the repertoire, lace was also made at home, for the decoration of household linen, clothing and other objects. This piece appears to have been made without a practical purpose, but as a demonstration of the embroiderer's skill.
Design & Designing
The most popular subjects for the needlework pictures and panels to which this lace is related, were scenes from the Old Testament of the Bible and classical mythology. This piece includes various motifs which the maker, who has signed herself B.E.B., would have found in pattern books and which could have also been used for embroidery, particularly the animals, birds and flowers around the border.
Subject Depicted
This panel shows Adam and Eve being tempted by the serpent in the Garden of Eden. In the Judeo-Christian and Islamic traditions, they are the original human couple, parents of the human race. The inscription refers to their fall from grace after eating the forbidden fruit of the tree of knowledge.
Object details
Categories | |
Object type | |
Materials and techniques | Needle lace, with details in metal thread |
Brief description | lace, 1600-1629, British; Needle. Signed B.E.B. with inscription |
Physical description | Panel of lace |
Dimensions |
|
Marks and inscriptions | Inscription reads : AL ADAMS GLORY AND PORE EVES WAS DONE BETWIXT A RISING AND A SETING SUNE |
Gallery label |
|
Credit line | Given by Sydney Vacher |
Object history | Made in England; signed B E B |
Production | Made in England; signed B E B |
Summary | Object Type Lace-making developed in England during the 16th century in response to the growth in personal wealth and to changes in fashionable dress. Needle lace, still then seen as a branch of embroidery, was made in professional workshops in London. But through the teaching of embroidery as a domestic skill with needle lace stitches in the repertoire, lace was also made at home, for the decoration of household linen, clothing and other objects. This piece appears to have been made without a practical purpose, but as a demonstration of the embroiderer's skill. Design & Designing The most popular subjects for the needlework pictures and panels to which this lace is related, were scenes from the Old Testament of the Bible and classical mythology. This piece includes various motifs which the maker, who has signed herself B.E.B., would have found in pattern books and which could have also been used for embroidery, particularly the animals, birds and flowers around the border. Subject Depicted This panel shows Adam and Eve being tempted by the serpent in the Garden of Eden. In the Judeo-Christian and Islamic traditions, they are the original human couple, parents of the human race. The inscription refers to their fall from grace after eating the forbidden fruit of the tree of knowledge. |
Collection | |
Accession number | T.17-1909 |
About this object record
Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.
You can write to us to suggest improvements to the record.
Suggest feedback
You can write to us to suggest improvements to the record.
Suggest feedback
Record created | March 27, 2003 |
Record URL |
Download as: JSONIIIF Manifest