Bed Hangings
1680-1700 (made)
| Artist/Maker | |
| Place of origin |
Object Type
This curtain is from a set of bed hangings, comprising four curtains and six valances. Such sets of hangings, when pulled closed around a bed, gave warmth and privacy. They were usually the most important part of the bed, generally referred to as the 'furniture', and were often valued more highly than the wooden bed frames they decorated.
Materials & Making
The curtain is embroidered in a technique known as crewel work, from the crewel or worsted wool used. Crewel work was popular through much of the second half of the 17th century, and was used extensively for bed hangings. It was usually carried out on a strong ground fabric of linen and cotton twill.
Design & Designing
Many crewel work curtains were loosely based on Far Eastern designs. They were influenced by Indian painted textiles which were becoming increasingly available in England in this period and which themselves mixed Eastern and Western motifs. Abigail Pett's curtains have some fashionable Indian elements, but many aspects of their design are firmly in the tradition of English embroidery, particularly in the depiction of animals, and the varied filling stitches for the foliage.
This curtain is from a set of bed hangings, comprising four curtains and six valances. Such sets of hangings, when pulled closed around a bed, gave warmth and privacy. They were usually the most important part of the bed, generally referred to as the 'furniture', and were often valued more highly than the wooden bed frames they decorated.
Materials & Making
The curtain is embroidered in a technique known as crewel work, from the crewel or worsted wool used. Crewel work was popular through much of the second half of the 17th century, and was used extensively for bed hangings. It was usually carried out on a strong ground fabric of linen and cotton twill.
Design & Designing
Many crewel work curtains were loosely based on Far Eastern designs. They were influenced by Indian painted textiles which were becoming increasingly available in England in this period and which themselves mixed Eastern and Western motifs. Abigail Pett's curtains have some fashionable Indian elements, but many aspects of their design are firmly in the tradition of English embroidery, particularly in the depiction of animals, and the varied filling stitches for the foliage.
Object details
| Categories | |
| Object type | |
| Parts | This object consists of 10 parts.
|
| Materials and techniques | Embroidered in crewel wool on a linen and cotton ground |
| Brief description | Abigail Pett Bed Hanging |
| Physical description | Set of linen/cotton bed hangings with crewel woolwork embroidery |
| Dimensions |
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| Gallery label |
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| Credit line | Given by Mr and Mrs W. J. H. Whittall |
| Object history | There is a printed linen furnishing textile from the 1920s in the Textile collection which has been directly based upon these embroideries. (see T.378-1998) |
| Summary | Object Type This curtain is from a set of bed hangings, comprising four curtains and six valances. Such sets of hangings, when pulled closed around a bed, gave warmth and privacy. They were usually the most important part of the bed, generally referred to as the 'furniture', and were often valued more highly than the wooden bed frames they decorated. Materials & Making The curtain is embroidered in a technique known as crewel work, from the crewel or worsted wool used. Crewel work was popular through much of the second half of the 17th century, and was used extensively for bed hangings. It was usually carried out on a strong ground fabric of linen and cotton twill. Design & Designing Many crewel work curtains were loosely based on Far Eastern designs. They were influenced by Indian painted textiles which were becoming increasingly available in England in this period and which themselves mixed Eastern and Western motifs. Abigail Pett's curtains have some fashionable Indian elements, but many aspects of their design are firmly in the tradition of English embroidery, particularly in the depiction of animals, and the varied filling stitches for the foliage. |
| Collection | |
| Accession number | T.13 to I-1929 |
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| Record created | March 27, 2003 |
| Record URL |
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