Basin
1868 (made)
Artist/Maker | |
Place of origin |
Object Type
This electrotype basin is a copy of a silver-gilt basin acquired by George IV in 1816 for the Royal Collection, where it remains. The 16th-century original was made in London by an unidentified maker, whose punched mark consists of the initials TN above a flower head.
Ownership & Use
In the 16th and early 17th centuries, ewers and basins filled with sweet-scented water were ceremonially offered to guests during and after dining, so they could wash their hands. Such vessels would also have played a prominent role on the sideboard or 'buffet', often being the largest items and frequently gilded and decorated in the latest fashion. The buffet display was designed to impress guests with the wealth and sophistication of the host. Therefore, ewers and basins became the standard diplomatic gift in Europe.
Materials & Making
The technique of reproducing objects by electrotyping was first developed by the manufacturing firm of Elkington & Co. of Birmingham in the 1840s. Henry Cole (1808-82), the first director of the South Kensington Museum (now the V&A), was quick to adopt this new technique to reproduce works of art. A plaster mould is made from an original object and used to make a cast in base metal. The model and an amount of plating metal are connected to electric terminals and placed in a container filled with a conductive solution. As it passes through, the electric current causes particles of the plating metal to be deposited on the surface of the model. The thickness of the plating can be regulated by the duration and voltage of the current. The plated object is then worked manually to erase imperfections.
This electrotype basin is a copy of a silver-gilt basin acquired by George IV in 1816 for the Royal Collection, where it remains. The 16th-century original was made in London by an unidentified maker, whose punched mark consists of the initials TN above a flower head.
Ownership & Use
In the 16th and early 17th centuries, ewers and basins filled with sweet-scented water were ceremonially offered to guests during and after dining, so they could wash their hands. Such vessels would also have played a prominent role on the sideboard or 'buffet', often being the largest items and frequently gilded and decorated in the latest fashion. The buffet display was designed to impress guests with the wealth and sophistication of the host. Therefore, ewers and basins became the standard diplomatic gift in Europe.
Materials & Making
The technique of reproducing objects by electrotyping was first developed by the manufacturing firm of Elkington & Co. of Birmingham in the 1840s. Henry Cole (1808-82), the first director of the South Kensington Museum (now the V&A), was quick to adopt this new technique to reproduce works of art. A plaster mould is made from an original object and used to make a cast in base metal. The model and an amount of plating metal are connected to electric terminals and placed in a container filled with a conductive solution. As it passes through, the electric current causes particles of the plating metal to be deposited on the surface of the model. The thickness of the plating can be regulated by the duration and voltage of the current. The plated object is then worked manually to erase imperfections.
Object details
Categories | |
Object type | |
Materials and techniques | Electrotype copy of silver-gilt original |
Brief description | Salver |
Dimensions |
|
Gallery label |
|
Object history | Original made in London by an unidentified maker 'TN above a flower head' in 1595-6 Made by Elkington & Co., Birmingham |
Production | After original of 16th century; Original made in London by an unidentified maker 'TN above a flower head' in 1595-6 |
Summary | Object Type This electrotype basin is a copy of a silver-gilt basin acquired by George IV in 1816 for the Royal Collection, where it remains. The 16th-century original was made in London by an unidentified maker, whose punched mark consists of the initials TN above a flower head. Ownership & Use In the 16th and early 17th centuries, ewers and basins filled with sweet-scented water were ceremonially offered to guests during and after dining, so they could wash their hands. Such vessels would also have played a prominent role on the sideboard or 'buffet', often being the largest items and frequently gilded and decorated in the latest fashion. The buffet display was designed to impress guests with the wealth and sophistication of the host. Therefore, ewers and basins became the standard diplomatic gift in Europe. Materials & Making The technique of reproducing objects by electrotyping was first developed by the manufacturing firm of Elkington & Co. of Birmingham in the 1840s. Henry Cole (1808-82), the first director of the South Kensington Museum (now the V&A), was quick to adopt this new technique to reproduce works of art. A plaster mould is made from an original object and used to make a cast in base metal. The model and an amount of plating metal are connected to electric terminals and placed in a container filled with a conductive solution. As it passes through, the electric current causes particles of the plating metal to be deposited on the surface of the model. The thickness of the plating can be regulated by the duration and voltage of the current. The plated object is then worked manually to erase imperfections. |
Collection | |
Accession number | REPRO.1868B-86 |
About this object record
Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.
You can write to us to suggest improvements to the record.
Suggest feedback
You can write to us to suggest improvements to the record.
Suggest feedback
Record created | March 27, 2003 |
Record URL |
Download as: JSONIIIF Manifest