Kettle

ca. 1795 (made)
Artist/Maker
Place of origin

Object Type
Tea began to be imported into England in the 17th century as a mild stimulant or medicinal drink. Despite its expense, tea became a fashionable and popular drink. It was customary for it to be served by the lady of the house at tea table in the drawing room using an elegant silver or porcelain tea set.

Time
Tea kettles, used to heat the water for infusing or refreshing the tea leaves in the pot, began to become popular in the early 18th century. The arrival of the tea-urn in the 1760s (made in both silver and Sheffield plate) caused a general displacement of the kettle, but it returned to favour with the discovery in the 19th century of camphorine, an odourless and inexpensive fuel compared to spirits of wine formerly used for burners that kept the water in kettles hot.

Materials & Making
The body of the kettle is engraved with an unidentified armorial. Engraving on Sheffield plate presented difficulties because the tool could cut through the upper surface of the laminate, exposing the copper core beneath. At first the silver surface was sufficiently thick for an experienced workman to engrave the surface without cutting through to the copper beneath. Then sterling silver discs were soldered or 'let in' to a cut-out section of the Sheffield plate. After about 1800, the plating thickness of the silver surface of Sheffield plate became progressively thinner and another method of letting in was adopted. A piece of pure silver of a very fine gauge was placed over the area to be engraved, the metal was heated to a dull red until the silver section adhered to the surface, whereupon it was hammered and burnished until the silver foil had literally been forced into the plated surface.

Object details

Categories
Object type
Parts
This object consists of 4 parts.

  • Kettle
  • Lid
  • Stand
  • Burner
Materials and techniques
Sheffield plate (copper plated with silver), with wooden and leather-covered handles
Dimensions
  • Height: 33.02cm
  • Width: 27.94cm
Gallery label
(27/03/2003)
British Galleries:
The pure forms of this kettle are completely adapted to the semi-mechanical manufacturing methods of Sheffield plate. Engraving was a problem because it exposed the underlying metal. Various methods were devised to overcome this difficulty. In this instance a section of silver foil has been forced into the plated surface.
Credit line
Given by Mrs M. D. Chaplin
Object history
Made in Sheffield or Birmingham
Summary
Object Type
Tea began to be imported into England in the 17th century as a mild stimulant or medicinal drink. Despite its expense, tea became a fashionable and popular drink. It was customary for it to be served by the lady of the house at tea table in the drawing room using an elegant silver or porcelain tea set.

Time
Tea kettles, used to heat the water for infusing or refreshing the tea leaves in the pot, began to become popular in the early 18th century. The arrival of the tea-urn in the 1760s (made in both silver and Sheffield plate) caused a general displacement of the kettle, but it returned to favour with the discovery in the 19th century of camphorine, an odourless and inexpensive fuel compared to spirits of wine formerly used for burners that kept the water in kettles hot.

Materials & Making
The body of the kettle is engraved with an unidentified armorial. Engraving on Sheffield plate presented difficulties because the tool could cut through the upper surface of the laminate, exposing the copper core beneath. At first the silver surface was sufficiently thick for an experienced workman to engrave the surface without cutting through to the copper beneath. Then sterling silver discs were soldered or 'let in' to a cut-out section of the Sheffield plate. After about 1800, the plating thickness of the silver surface of Sheffield plate became progressively thinner and another method of letting in was adopted. A piece of pure silver of a very fine gauge was placed over the area to be engraved, the metal was heated to a dull red until the silver section adhered to the surface, whereupon it was hammered and burnished until the silver foil had literally been forced into the plated surface.
Collection
Accession number
M.637:1 to 4-1936

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Record createdMarch 27, 2003
Record URL
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