Wine Cooler

1809-1810 (made)
Artist/Maker
Place of origin

Object Type
A wine cooler or ice pail for a single bottle was a French refinement for dining more informally in smaller numbers. Introduced into England in the early 18th century, it was filled with ice to chill the wine before serving. By the early 19th century, these individual wine coolers were beginning to be left on the table as part of the dressing of very grand dinners.

People
This wine cooler was made by Paul Storr (1771-1842), who managed a workshop for a firm of Royal Goldsmiths - Rundell, Bridge & Rundell. The design has been attributed to William Theed (1764-1817), a painter and sculptor who worked for the company from 1803 to 1817 as chief modeller and head of the design studio.

Design & Designing
The design of this wine cooler has been put together from several sources. The vase form and the handles derive directly from the celebrated Medici Vase (a 1st-century AD,neo-Attic marble, now in the Louvre, Paris), an illustration of which was published by the Venetian engraver G.B. Piranesi (1720-1778). However, the frieze shows the 'Triumph of Bacchus' (the god of wine) from a late-2nd-century Roman marble relief now in the Vatican Museum, the design of which was also published in the late 18th century. Artists at Rundell, Bridge & Rundell looked to antiquity for design sources using published engravings of archaeological discoveries. The Triumph of Bacchus would have been an appropriate ornament for a wine cooler. A working drawing in the V&A's Print Room by Edward Hodges Baily (1788-1867) after William Theed is very similar to the design of this wine cooler. The design was a popular one, but the ornament and stands were remodelled on several occasions to suit the taste or budget of individual clients.

Object details

Object type
Parts
This object consists of 3 parts.

  • Wine Cooler
  • Stand
  • Liner
Materials and techniques
Silver gilt
Brief description
A neo-classical two handled vase-shaped wine cooler on separate stand with lions' paw feet inspired by an antique vase in the Villa Albani, Rome. The side is decorated in relief with the Triumph of Bacchus with drunken Silenus at the rear.
Physical description
A vase-shaped two-handled wine cooler decorated with the Triumph of Bacchus. The flared gadrooned stem is supported on a separate stand
Dimensions
  • Height: 34.7cm
  • Base width: 26.8cm
Dimensions checked: Measured; 23/03/2000 by AS
Style
Marks and inscriptions
  • Stamped 'RUNDELL BRIDGE ET RUNDELL AURIFICES REGIS ET PRINCIPIS WALLIAE LONDINI'; engraved three times with the Ormonde crest

  • Hallmarked 1809-1810

Gallery label
(Pre-2000)
WINE COOLER
ENGLISH; 1809-10
Silver-gilt.

From a set of four. London hall-mark for 1809-10; maker's mark of Paul Storr at the Dean Street workshops of Rundell, Bridge & Rundell.
The original model of this piece was probably by the sculptor William Theed, head of the design department at Rundell's until his death in 1817, and was based on a vase in the Villa Albani, engraved by C. H. Tatham in Etchings Representing the Best Examples of Ancient Ornamental Architecture (1799; pl.28).
The relief represents the Triumph of Bacchus.

Ormonde Collection.
M.48anda-1982
(27/03/2003)
British Galleries:
Rundells specialised in making silver in the prevailing taste for high-quality massive, Neo-classical dining and display plate. The pattern for this wine cooler was extremely successful and a set of eight was made for the Prince Regent. Four of these alone cost œ1,129 9s.
Object history
Made in London by Paul Storr (born in London, 1771, died there in 1844) based on the Medici Vase, perhaps from a design by William Theed
Literary referenceTriumph of Bacchus
Summary
Object Type
A wine cooler or ice pail for a single bottle was a French refinement for dining more informally in smaller numbers. Introduced into England in the early 18th century, it was filled with ice to chill the wine before serving. By the early 19th century, these individual wine coolers were beginning to be left on the table as part of the dressing of very grand dinners.

People
This wine cooler was made by Paul Storr (1771-1842), who managed a workshop for a firm of Royal Goldsmiths - Rundell, Bridge & Rundell. The design has been attributed to William Theed (1764-1817), a painter and sculptor who worked for the company from 1803 to 1817 as chief modeller and head of the design studio.

Design & Designing
The design of this wine cooler has been put together from several sources. The vase form and the handles derive directly from the celebrated Medici Vase (a 1st-century AD,neo-Attic marble, now in the Louvre, Paris), an illustration of which was published by the Venetian engraver G.B. Piranesi (1720-1778). However, the frieze shows the 'Triumph of Bacchus' (the god of wine) from a late-2nd-century Roman marble relief now in the Vatican Museum, the design of which was also published in the late 18th century. Artists at Rundell, Bridge & Rundell looked to antiquity for design sources using published engravings of archaeological discoveries. The Triumph of Bacchus would have been an appropriate ornament for a wine cooler. A working drawing in the V&A's Print Room by Edward Hodges Baily (1788-1867) after William Theed is very similar to the design of this wine cooler. The design was a popular one, but the ornament and stands were remodelled on several occasions to suit the taste or budget of individual clients.
Bibliographic reference
C.H. Tatham, Etchings, Representing the Best Examples of Ancient Ornamental Architecture, 1799, pl.28 for classical source for the vase. Eric Turner, English Silver from 1660, London, HMSO, 1925, p.26 fig. 24a
Collection
Accession number
M.48 to B-1982

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Record createdMarch 27, 2003
Record URL
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