The Beddington Lock thumbnail 1
The Beddington Lock thumbnail 2
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Image of Gallery in South Kensington
On display at V&A South Kensington
British Galleries, Room 58

The Beddington Lock

Lock
ca. 1539-1547 (made)
Artist/Maker
Place of origin

Object Type
This lock has a central sliding plate, decorated with the arms of Henry VIII (ruled 1509-1547), which conceals two keyholes. The lock can be opened with one key by inserting a pin into its back. Locks - and ironwork - were valuable items, so high quality examples such as this one were often made to be portable. The gilding on the Beddington lock is unusual but apparently original, and indicates its high status.

People & Places
The lock was originally on the door of the great hall at Beddington House, manor of the Carew family. The property was seized by Henry VIII when Sir Nicholas Carew was executed for treason in 1539. It remained in crown ownership until 1552. The heraldry suggests that this lock was made for Beddington after it became a royal manor. If so, it could be the work of the royal lockmaker Henry Romaynes (died 1553), who lived and worked in the parish of St Martin in the Fields, London.

Design & Designing
This lock is Gothic in style, despite its late date. Smiths seem to have been conservative craftsmen and continued using Gothic motifs late into the 16th century. A comparable lock of similar style and date can be seen on doors in St George's Chapel, Windsor, Berkshire, and there is another in the collection of the Walters Art Gallery, Baltimore, USA.


Object details

Categories
Object type
Parts
This object consists of 7 parts.

  • Lock
  • Lock
  • Lock-Plate
  • Bar
  • Bar
  • Rivet
  • Rivet
TitleThe Beddington Lock (popular title)
Materials and techniques
Iron, wrought, carved and gilded
Brief description
The Beddington Lock
Physical description
The Beddington Lock. Of rectangular form, decorated with plaques of Gothic openwork tracery and salomonic columns.This lock has a central sliding plate, decorated with the arms of Henry VIII (ruled 1509-1547), which conceals two keyholes. The lock can be opened with one key by inserting a pin into its back.
Dimensions
  • Height: 22.4cm
  • Width: 38cm
  • Depth: 7cm
  • Maximum weight of whole object and current mount together weight: 12kg
4 max Dimensions checked: Measured; 09/05/2000 by nh Weight includes all mounts used in the British Galleries (M. Thomas 30/11/06)
Marks and inscriptions
Bearing the royal arms and supporters used by all Tudor monarchs, especially Henry VII and Henry VIII.
Gallery label
British Galleries: One of two keyholes is concealed by a sliding plate decorated with the royal arms. As Henry VIII moved between his many palaces, smaller locks of this type were constantly transported and re-fitted to maintain security, with the king himself holding the master key.(27/03/2003)
Object history
Probably made in London by the royal lockmaker Henry Romaynes (died in London, 1553)
L'Art du Serrurier Exhibition RF.2006/620

Formerly on the main door of the 16th-century great hall of Beddington Place, Surrey
Production
probably 1539-1547
Summary
Object Type
This lock has a central sliding plate, decorated with the arms of Henry VIII (ruled 1509-1547), which conceals two keyholes. The lock can be opened with one key by inserting a pin into its back. Locks - and ironwork - were valuable items, so high quality examples such as this one were often made to be portable. The gilding on the Beddington lock is unusual but apparently original, and indicates its high status.

People & Places
The lock was originally on the door of the great hall at Beddington House, manor of the Carew family. The property was seized by Henry VIII when Sir Nicholas Carew was executed for treason in 1539. It remained in crown ownership until 1552. The heraldry suggests that this lock was made for Beddington after it became a royal manor. If so, it could be the work of the royal lockmaker Henry Romaynes (died 1553), who lived and worked in the parish of St Martin in the Fields, London.

Design & Designing
This lock is Gothic in style, despite its late date. Smiths seem to have been conservative craftsmen and continued using Gothic motifs late into the 16th century. A comparable lock of similar style and date can be seen on doors in St George's Chapel, Windsor, Berkshire, and there is another in the collection of the Walters Art Gallery, Baltimore, USA.
Bibliographic reference
Campbell, Marian, An Introduction to Ironwork, London: HMSO, 1985, p. 19, pl. 4.
Collection
Accession number
M.397&:1 to 6-1921

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Record createdMarch 27, 2003
Record URL
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