Curtain Rod Holder
ca. 1848 (made)
| Artist/Maker | |
| Place of origin |
Object Type
This bracket (one of a pair) was intended to support a curtain rail unning across the top of a window frame from which the window curtains were suspended.
Historical Associations
This curtain-rod holder was amongst the 78 objects included in Henry Cole's notorious exhibition, Examples of False Principles of Decoration, held at Marlborough House in 1852. In an appendix to the exhibition catalogue, Cole wrote; 'There has arisen a new species of ornament of the most objectionable kind, which is desirable at once to deprecate on account of its complete departure from just taste and true principles. This may be called the natural or imitative style, and is seen in its worst development in some of the articles of form.' This bracket is dismissed as being 'a direct imitation of nature' and therefore 'possessing unfitness of purpose.' The didactic role of the 'False Principles' display was to discourage the public from purchasing articles deemed undesirable by the Museum's organisers and to guide consumption away from the 'ignorant search after the merely novel'.
People
The reception accorded this exhibition quickly proved that Cole and his assistant, the artist Richard Redgrave had rather misjudged matters. Every article selected for the exhibition, however unprincipled its design might be, was at least commercially very successful. The public were merely amused by the selection but remained unconverted. The manufacturers whose products were criticised were mortified and immediately complained. The exhibition was closed after only two weeks.
This bracket (one of a pair) was intended to support a curtain rail unning across the top of a window frame from which the window curtains were suspended.
Historical Associations
This curtain-rod holder was amongst the 78 objects included in Henry Cole's notorious exhibition, Examples of False Principles of Decoration, held at Marlborough House in 1852. In an appendix to the exhibition catalogue, Cole wrote; 'There has arisen a new species of ornament of the most objectionable kind, which is desirable at once to deprecate on account of its complete departure from just taste and true principles. This may be called the natural or imitative style, and is seen in its worst development in some of the articles of form.' This bracket is dismissed as being 'a direct imitation of nature' and therefore 'possessing unfitness of purpose.' The didactic role of the 'False Principles' display was to discourage the public from purchasing articles deemed undesirable by the Museum's organisers and to guide consumption away from the 'ignorant search after the merely novel'.
People
The reception accorded this exhibition quickly proved that Cole and his assistant, the artist Richard Redgrave had rather misjudged matters. Every article selected for the exhibition, however unprincipled its design might be, was at least commercially very successful. The public were merely amused by the selection but remained unconverted. The manufacturers whose products were criticised were mortified and immediately complained. The exhibition was closed after only two weeks.
Object details
| Categories | |
| Object type | |
| Materials and techniques | Gilt brass and white glass |
| Brief description | Gilt brass and white glass, England, Birmingham (probably), made by R.W. Winfield, ca.1848 |
| Physical description | Curtain rod holder of gilt brass and glass, the stem bent in a U shape to accommodate the rod, the front decorated with cast leaves and surmounted by a convolvulus flower in white glass; the metal gilt. |
| Dimensions |
|
| Gallery label |
|
| Subjects depicted | |
| Summary | Object Type This bracket (one of a pair) was intended to support a curtain rail unning across the top of a window frame from which the window curtains were suspended. Historical Associations This curtain-rod holder was amongst the 78 objects included in Henry Cole's notorious exhibition, Examples of False Principles of Decoration, held at Marlborough House in 1852. In an appendix to the exhibition catalogue, Cole wrote; 'There has arisen a new species of ornament of the most objectionable kind, which is desirable at once to deprecate on account of its complete departure from just taste and true principles. This may be called the natural or imitative style, and is seen in its worst development in some of the articles of form.' This bracket is dismissed as being 'a direct imitation of nature' and therefore 'possessing unfitness of purpose.' The didactic role of the 'False Principles' display was to discourage the public from purchasing articles deemed undesirable by the Museum's organisers and to guide consumption away from the 'ignorant search after the merely novel'. People The reception accorded this exhibition quickly proved that Cole and his assistant, the artist Richard Redgrave had rather misjudged matters. Every article selected for the exhibition, however unprincipled its design might be, was at least commercially very successful. The public were merely amused by the selection but remained unconverted. The manufacturers whose products were criticised were mortified and immediately complained. The exhibition was closed after only two weeks. |
| Collection | |
| Accession number | M.19-1974 |
About this object record
Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.
You can write to us to suggest improvements to the record.
Suggest feedback
You can write to us to suggest improvements to the record.
Suggest feedback
| Record created | March 27, 2003 |
| Record URL |
Download as: JSONIIIF Manifest
