Not on display

Relief panel

Panel
19th century (made)
Place of origin

This is one of series of carved teakwood ceiling panels with reliefs of various Hindu deities. They came from a temple hall demolished in 1874 in Cochin, south-west India. Such halls (‘mandapa’) were used for theatrical, dance and music performances within a temple compound.

This panel shows the monkey god Hanuman, who is much loved as the devout and loyal ally of Vishnu, as witnessed in the ‘Ramayana’ epic. The painting is dominated by the use of red, associated with Hanuman’s heroic nature.

Here Hanuman is shown seated, his eyes cast skyward and his hands raised in veneration (‘anjali’) of his lord Vishnu. He sits in a yogi’s pose, with his knees resting on a meditation strap (‘yogapatta’). This underscores the Indian belief in yogic practices as a path to garnering supernatural powers, for which Hanuman was famed. He is richly adorned with jewellery, as befits his role as general of the monkey armies.

Object details

Categories
Object type
TitleRelief panel (generic title)
Materials and techniques
Carved and painted teak wood
Brief description
Ceiling panel depicting Hanuman as a yogi, polychromed wood, Cochin, south-west India, 19th century
Physical description
Carved teak wood ceiling panel with reliefs of various Hindu deities. The highly sculpted frieze represents the story of the marriage of Rama. The panels came from the portico of a temple in Cochin, demolished in 1874. The complete ceiling decoration consisting of individual panels measured 21ft 6in by 5 ft 6in.
Production
Kerala, south-west India
Subjects depicted
Association
Summary
This is one of series of carved teakwood ceiling panels with reliefs of various Hindu deities. They came from a temple hall demolished in 1874 in Cochin, south-west India. Such halls (‘mandapa’) were used for theatrical, dance and music performances within a temple compound.

This panel shows the monkey god Hanuman, who is much loved as the devout and loyal ally of Vishnu, as witnessed in the ‘Ramayana’ epic. The painting is dominated by the use of red, associated with Hanuman’s heroic nature.

Here Hanuman is shown seated, his eyes cast skyward and his hands raised in veneration (‘anjali’) of his lord Vishnu. He sits in a yogi’s pose, with his knees resting on a meditation strap (‘yogapatta’). This underscores the Indian belief in yogic practices as a path to garnering supernatural powers, for which Hanuman was famed. He is richly adorned with jewellery, as befits his role as general of the monkey armies.
Bibliographic references
  • Michell, George (ed.) Living Wood: Sculptural Traditions of Southern India, Bombay, 1992 p.188, Cat.94
  • L'escultura en el temples indis : l'art de la devoció : exposició organitzada per la Fundació "La Caixa" i el Victoria & Albert Museum, Londres. [Barcelona: Obra social, Fundació "la Caixa", c2007 Number: 9788476649466 p.229, Cat.184
  • Diamond, D. Yoga: The Art of Transformation, Smithsonian Institute, 2013, 978-1-58834-459-5 pp.146 and 7, 8B
Collection
Accession number
IS.2564E-1883

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Record createdMarch 27, 2003
Record URL
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