The Girl-in-a-Swing
Figure
1749-1759 (made)
1749-1759 (made)
| Artist/Maker | |
| Place of origin |
Object Type
This figure is a domestic ornament. The figure faces forward, and is less-well finished at the back, so the piece was probably intended to be viewed from the front only. It may have been displayed against a wall, on a chimneypiece or bracket, or in a glazed cabinet.
People
The so-called 'Girl-in-a-Swing' group of porcelain figures, scent bottles and wares were named after this figure. English porcelain collectors first identified these as a distinctive group in the 1920s, but their maker was not firmly identified until 1993. They were originally attributed to the Chelsea factory of Nicholas Sprimont (1716-1771). Collectors then suggested that they were probably made at a rival factory set up by Staffordshire workmen who had quit Sprimont's works. Recent research has proved that these figures and wares were made by Charles Gouyn (died 1785). Gouyn was a second-generation jeweller with premises in St James's, London, and he had been a partner in the Chelsea factory until sometime before March 1749. However, the precise location of his factory, and the identity of the modeller of these distinctive figures, remain unknown.
This figure is a domestic ornament. The figure faces forward, and is less-well finished at the back, so the piece was probably intended to be viewed from the front only. It may have been displayed against a wall, on a chimneypiece or bracket, or in a glazed cabinet.
People
The so-called 'Girl-in-a-Swing' group of porcelain figures, scent bottles and wares were named after this figure. English porcelain collectors first identified these as a distinctive group in the 1920s, but their maker was not firmly identified until 1993. They were originally attributed to the Chelsea factory of Nicholas Sprimont (1716-1771). Collectors then suggested that they were probably made at a rival factory set up by Staffordshire workmen who had quit Sprimont's works. Recent research has proved that these figures and wares were made by Charles Gouyn (died 1785). Gouyn was a second-generation jeweller with premises in St James's, London, and he had been a partner in the Chelsea factory until sometime before March 1749. However, the precise location of his factory, and the identity of the modeller of these distinctive figures, remain unknown.
Object details
| Categories | |
| Object type | |
| Title | The Girl-in-a-Swing (popular title) |
| Materials and techniques | Soft-paste porcelain, slip cast |
| Brief description | Figure, soft-paste porcelain, slip cast, 'The Girl-in-a-Swing', England, Charles Gouyn's factory, ca. 1749-1759. |
| Physical description | Soft-paste porcelain, slip cast depicting a girl on a swing. Oval base. |
| Dimensions |
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| Gallery label |
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| Credit line | Presented by Lt. Col. K. Dingwall, DSO with Art Fund support |
| Object history | Made at the factory of Charles Gouyn (born in Dieppe, France, died in London, 1785) possibly in St James's, London |
| Subjects depicted | |
| Summary | Object Type This figure is a domestic ornament. The figure faces forward, and is less-well finished at the back, so the piece was probably intended to be viewed from the front only. It may have been displayed against a wall, on a chimneypiece or bracket, or in a glazed cabinet. People The so-called 'Girl-in-a-Swing' group of porcelain figures, scent bottles and wares were named after this figure. English porcelain collectors first identified these as a distinctive group in the 1920s, but their maker was not firmly identified until 1993. They were originally attributed to the Chelsea factory of Nicholas Sprimont (1716-1771). Collectors then suggested that they were probably made at a rival factory set up by Staffordshire workmen who had quit Sprimont's works. Recent research has proved that these figures and wares were made by Charles Gouyn (died 1785). Gouyn was a second-generation jeweller with premises in St James's, London, and he had been a partner in the Chelsea factory until sometime before March 1749. However, the precise location of his factory, and the identity of the modeller of these distinctive figures, remain unknown. |
| Bibliographic reference | Baker, Malcolm, and Brenda Richardson (eds.), A Grand Design: The Art of the Victoria and Albert Museum, London: V&A Publications, 1999.
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| Collection | |
| Accession number | C.587-1922 |
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| Record created | March 27, 2003 |
| Record URL |
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