Comport thumbnail 1
Not currently on display at the V&A

Comport

1885 (dated)
Artist/Maker
Place of origin

Object Type
Raised above plates and dishes on the table, a comport added elegance to a table setting and varied the presentation of food. This example is in the fashionable 'Japanese' taste. It is also relatively expensively made in Minton & Co.'s brilliantly white bone china, with a generous amount of gilding. It was probably available to order as part of a large table service.

Design & Designing
The decoration on this comport owes much to an awareness of Japanese art. The shape is standard, but the decoration is sophisticated, with its asymmetrical positioning of plants and birds. The use of gilding and silvering suggests Japanese lacquer. The influx of Japanese art and artefacts into Britain from the mid-1860s onwards was very influential on popular taste. British artists and designers were encouraged to invent new versions of Japanese-influenced natural, asymmetrical and informal decoration often depicting insects, birds and wild flowers.

Materials & Making
Tableware was an essential part of Minton's production and contributed significantly to the company's financial stability. Ironstones (opaque porcelain said to contain iron slag), semi-porcelains (a refined earthenware imitating porcelain), bone chinas and earthenwares were produced in vast quantities. They reflected the various styles in current use in the factory and in fashionable taste. The process of acid gilding, developed in 1863, allowed for raised and moulded relief decoration and was used extensively to ornament the richest services. Plain gilding, such as on this example, was used to embellish simpler wares and those aiming for a more restrained aesthetic.


Object details

Categories
Object type
Materials and techniques
Bone china
Brief description
Bone china with gilded decoration of plants and birds, Minton & Co., Stoke-on-Trent, 1885
Physical description
COMPORT OR DESSERT STAND
Dimensions
  • Height: 6.8cm
  • Diameter: 23.8cm
Dimensions checked: Measured; 11/08/1999 by jc
Marks and inscriptions
Mark: 'Mintons', year mark for 1885, 'E' and an unidentified mark, all impressed
Gallery label
British Galleries: Comports were part of a dessert service, used for fresh and candied fruits, ices, cakes and biscuits. According to Mrs Beeton, 'the dishes should form a sort of inner circle, oval or square, according to the shape of the table, and...any tall stands, or such fruits as pines or melons, generally look best placed down the centre of the table. '(27/03/2003)
Credit line
Given by Miss Beatrice Cast
Object history
Manufactured by Minton & Co., Stoke-on-Trent, Staffordshire
Production
Date mark for 1885
Summary
Object Type
Raised above plates and dishes on the table, a comport added elegance to a table setting and varied the presentation of food. This example is in the fashionable 'Japanese' taste. It is also relatively expensively made in Minton & Co.'s brilliantly white bone china, with a generous amount of gilding. It was probably available to order as part of a large table service.

Design & Designing
The decoration on this comport owes much to an awareness of Japanese art. The shape is standard, but the decoration is sophisticated, with its asymmetrical positioning of plants and birds. The use of gilding and silvering suggests Japanese lacquer. The influx of Japanese art and artefacts into Britain from the mid-1860s onwards was very influential on popular taste. British artists and designers were encouraged to invent new versions of Japanese-influenced natural, asymmetrical and informal decoration often depicting insects, birds and wild flowers.

Materials & Making
Tableware was an essential part of Minton's production and contributed significantly to the company's financial stability. Ironstones (opaque porcelain said to contain iron slag), semi-porcelains (a refined earthenware imitating porcelain), bone chinas and earthenwares were produced in vast quantities. They reflected the various styles in current use in the factory and in fashionable taste. The process of acid gilding, developed in 1863, allowed for raised and moulded relief decoration and was used extensively to ornament the richest services. Plain gilding, such as on this example, was used to embellish simpler wares and those aiming for a more restrained aesthetic.
Collection
Accession number
C.35-1984

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdMarch 27, 2003
Record URL
Download as: JSONIIIF Manifest