Figure
ca. 1754 (made)
| Artist/Maker | |
| Place of origin |
Object Type
This figure is one from a pair, the other being a shepherdess. Idealised representations of shepherds and shepherdesses, often fashionably dressed, were very popular in Western Europe in the mid-18th century. The Bow factory copied this figure and its shepherdess from a pair made at the Meissen porcelain factory in Germany. They may have been displayed on a chimney-piece or another domestic furnishing. Alternatively, they could have been set out on a dining table, which is probably how the Meissen originals would have been used. Meissen was the first factory to make porcelain figures for the dessert, and set the sculptural conventions followed by porcelain factories elsewhere.
Trading
Continental porcelain could not be legally imported for sale in Britain until 1775, unless it was stated to be for personal use, not for resale. Despite this, large quantities of Meissen porcelain were sold in London china shops in the 1750s. Much of this had been imported under the pretence that it was for personal use, but some was smuggled in. The British greatly admired Meissen porcelain, and the English porcelain factories made many figures copied from Meissen originals.
This figure is one from a pair, the other being a shepherdess. Idealised representations of shepherds and shepherdesses, often fashionably dressed, were very popular in Western Europe in the mid-18th century. The Bow factory copied this figure and its shepherdess from a pair made at the Meissen porcelain factory in Germany. They may have been displayed on a chimney-piece or another domestic furnishing. Alternatively, they could have been set out on a dining table, which is probably how the Meissen originals would have been used. Meissen was the first factory to make porcelain figures for the dessert, and set the sculptural conventions followed by porcelain factories elsewhere.
Trading
Continental porcelain could not be legally imported for sale in Britain until 1775, unless it was stated to be for personal use, not for resale. Despite this, large quantities of Meissen porcelain were sold in London china shops in the 1750s. Much of this had been imported under the pretence that it was for personal use, but some was smuggled in. The British greatly admired Meissen porcelain, and the English porcelain factories made many figures copied from Meissen originals.
Object details
| Categories | |
| Object type | |
| Materials and techniques | Soft-paste porcelain, painted in enamels and gilt |
| Brief description | C |
| Physical description | Figure of a shepherd |
| Dimensions |
|
| Gallery label |
|
| Credit line | Given by W. A. J. Floersheim |
| Object history | Made at the Bow porcelain factory, London |
| Summary | Object Type This figure is one from a pair, the other being a shepherdess. Idealised representations of shepherds and shepherdesses, often fashionably dressed, were very popular in Western Europe in the mid-18th century. The Bow factory copied this figure and its shepherdess from a pair made at the Meissen porcelain factory in Germany. They may have been displayed on a chimney-piece or another domestic furnishing. Alternatively, they could have been set out on a dining table, which is probably how the Meissen originals would have been used. Meissen was the first factory to make porcelain figures for the dessert, and set the sculptural conventions followed by porcelain factories elsewhere. Trading Continental porcelain could not be legally imported for sale in Britain until 1775, unless it was stated to be for personal use, not for resale. Despite this, large quantities of Meissen porcelain were sold in London china shops in the 1750s. Much of this had been imported under the pretence that it was for personal use, but some was smuggled in. The British greatly admired Meissen porcelain, and the English porcelain factories made many figures copied from Meissen originals. |
| Collection | |
| Accession number | C.144-1931 |
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| Record created | March 27, 2003 |
| Record URL |
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