Skirt Length
ca. 1850 (made)
| Artist/Maker | |
| Place of origin |
Object Type
This long piece of embroidery was originally made as a skirt, and would normally have been gathered into a cotton waistband with a drawstring at the top. The hem would probably also have been given additional weight by a facing of thicker material. The materials, design and technique are all typical of the fine embroidery of Kutch, part of the modern state of Gujarat in north-western India.
People
Fine chain-stitch embroidery was the speciality of professional male embroiderers from the Mochi community of Kutch in Gujarat. They were originally leather workers and had developed a technique of silk embroidery on leather using a type of hooked awl. This method was later adapted for use on cloth. The Mochi work of Kutch is among the finest embroidery ever produced in India, and was used for textiles at the Mughal court as well as for the wealthy patrons of urban Gujarat.
Design & Designing
This skirt-piece is embroidered with a repeating floral pattern on a rich yellow ground. While the ground colour is typical of Kutch embroidery, the floral motifs have obviously been influenced by Mughal designs. Floral patterns like this were usually interspersed with peacocks or human figures in the more traditional Kutchi pieces.
This long piece of embroidery was originally made as a skirt, and would normally have been gathered into a cotton waistband with a drawstring at the top. The hem would probably also have been given additional weight by a facing of thicker material. The materials, design and technique are all typical of the fine embroidery of Kutch, part of the modern state of Gujarat in north-western India.
People
Fine chain-stitch embroidery was the speciality of professional male embroiderers from the Mochi community of Kutch in Gujarat. They were originally leather workers and had developed a technique of silk embroidery on leather using a type of hooked awl. This method was later adapted for use on cloth. The Mochi work of Kutch is among the finest embroidery ever produced in India, and was used for textiles at the Mughal court as well as for the wealthy patrons of urban Gujarat.
Design & Designing
This skirt-piece is embroidered with a repeating floral pattern on a rich yellow ground. While the ground colour is typical of Kutch embroidery, the floral motifs have obviously been influenced by Mughal designs. Floral patterns like this were usually interspersed with peacocks or human figures in the more traditional Kutchi pieces.
Object details
| Categories | |
| Object type | |
| Materials and techniques | Satin-woven silk, embroidered in chain stitch with silk thread |
| Brief description | Skirt length, satin-woven silk, embroidered in chain stitch with silk thread, Kutch, Gujarat, ca. 1850 |
| Dimensions |
|
| Gallery label | British Galleries:
The professional male embroiderers from the Mochi community in Kutch developed this embroidery technique by using a hook, as well as a needle. This was an adaptation of a method previously used on leather. Embroideries such as this were made for and sold to wealthy Indian patrons.(27/03/2003) |
| Summary | Object Type This long piece of embroidery was originally made as a skirt, and would normally have been gathered into a cotton waistband with a drawstring at the top. The hem would probably also have been given additional weight by a facing of thicker material. The materials, design and technique are all typical of the fine embroidery of Kutch, part of the modern state of Gujarat in north-western India. People Fine chain-stitch embroidery was the speciality of professional male embroiderers from the Mochi community of Kutch in Gujarat. They were originally leather workers and had developed a technique of silk embroidery on leather using a type of hooked awl. This method was later adapted for use on cloth. The Mochi work of Kutch is among the finest embroidery ever produced in India, and was used for textiles at the Mughal court as well as for the wealthy patrons of urban Gujarat. Design & Designing This skirt-piece is embroidered with a repeating floral pattern on a rich yellow ground. While the ground colour is typical of Kutch embroidery, the floral motifs have obviously been influenced by Mughal designs. Floral patterns like this were usually interspersed with peacocks or human figures in the more traditional Kutchi pieces. |
| Bibliographic reference | Catalogue of the objects of Indian art exhibited in the South Kensington Museum / by H.H. Cole. London: Printed by George E. Eyre and William Spottiswoode and sold by Chapman & Hall, 1874
p. 256
|
| Collection | |
| Accession number | 791-1852 |
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| Record created | March 27, 2003 |
| Record URL |
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