Lace Border
1660-1690 (made)
| Artist/Maker | |
| Place of origin |
Object Type
The needle lace made in Venice in the second half of the 17th century varied in scale from heavily padded and boldly patterned borders used for furnishing to delicate, multi-layered dress lace, like this piece. This is a type known now as point de neige, from the resemblance of its tiny details to snowflake crystals.
Ownership & Use
Between the 1660s and 1690s both men and women increasingly used the wearing of extravagant displays of lace as a mark of wealth and status. The showiest effects were achieved with lace worn at the throat and at the wrist, setting off the face and hands. A fashionable man might even trim his boot hose with matching lace borders. Delicate lace such as this was particularly suitable for the elaborate headdresses of women.
Trading
In an attempt to protect the English lace industry, a royal proclamation was issued in 1662 forbidding the import or sale of foreign lace. The Royal Family was exempt from this prohibition, and it also seems to have been flouted widely by members of the court and other fashionable people, because Venetian needle lace continued to be freely sold and worn in London.
The needle lace made in Venice in the second half of the 17th century varied in scale from heavily padded and boldly patterned borders used for furnishing to delicate, multi-layered dress lace, like this piece. This is a type known now as point de neige, from the resemblance of its tiny details to snowflake crystals.
Ownership & Use
Between the 1660s and 1690s both men and women increasingly used the wearing of extravagant displays of lace as a mark of wealth and status. The showiest effects were achieved with lace worn at the throat and at the wrist, setting off the face and hands. A fashionable man might even trim his boot hose with matching lace borders. Delicate lace such as this was particularly suitable for the elaborate headdresses of women.
Trading
In an attempt to protect the English lace industry, a royal proclamation was issued in 1662 forbidding the import or sale of foreign lace. The Royal Family was exempt from this prohibition, and it also seems to have been flouted widely by members of the court and other fashionable people, because Venetian needle lace continued to be freely sold and worn in London.
Object details
| Categories | |
| Object type | |
| Materials and techniques | Raised needle lace |
| Brief description | lace, 1660-90, Italian; Venetian rose-point |
| Physical description | Lace border |
| Dimensions |
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| Gallery label |
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| Credit line | Bequeathed by Mrs Harriet Bolckow |
| Summary | Object Type The needle lace made in Venice in the second half of the 17th century varied in scale from heavily padded and boldly patterned borders used for furnishing to delicate, multi-layered dress lace, like this piece. This is a type known now as point de neige, from the resemblance of its tiny details to snowflake crystals. Ownership & Use Between the 1660s and 1690s both men and women increasingly used the wearing of extravagant displays of lace as a mark of wealth and status. The showiest effects were achieved with lace worn at the throat and at the wrist, setting off the face and hands. A fashionable man might even trim his boot hose with matching lace borders. Delicate lace such as this was particularly suitable for the elaborate headdresses of women. Trading In an attempt to protect the English lace industry, a royal proclamation was issued in 1662 forbidding the import or sale of foreign lace. The Royal Family was exempt from this prohibition, and it also seems to have been flouted widely by members of the court and other fashionable people, because Venetian needle lace continued to be freely sold and worn in London. |
| Collection | |
| Accession number | 762-1890 |
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| Record created | March 27, 2003 |
| Record URL |
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