Image of Gallery in South Kensington
On display at V&A South Kensington
British Galleries, Room 56, The Djanogly Gallery

Charles I, as Prince of Wales

Portrait Miniature
1616 (made)
Artist/Maker
Place of origin

Object Type
Strictly speaking, this is a drawing rather than a miniature, which is a watercolour art. But Balthazar Gerbier, an amateur artist, was also a painter of miniatures and the drawing incorporates some aspects of miniature painting, being on vellum (a fine parchment) and using touches of watercolour.

People
Gerbier was born in The Netherlands but his early education and training are obscure. He must have been schooled in the accomplishments necessary for courtiers, particularly a knowledge of 'war-like machines'. This recommended him to Prince William of Orange, whose service he entered in 1615. In 1616 he was sent to England to work for the Dutch ambassador, but soon after transferred his service to George Villiers, the Earl, and subsequently Duke, of Buckingham. He became the Duke's domestic architect and adviser on matters of art. In 1628, after Buckingham's assassination, Gerbier transferred formally to the service of Charles I.

Historical Associations
This picture was drawn about 1616, when Gerbier had just arrived in England and Charles was formally invested as Prince of Wales. The Latin inscription translates as 'Most illustrious and powerful Prince of Great Britain and Ireland, Prince Charles'. Thus it celebrates the Prince's new standing, an appropriate subject for an ambitious courtier in the making.


Object details

Categories
Object type
TitleCharles I, as Prince of Wales (generic title)
Materials and techniques
Watercolour, shaded with graphite on vellum
Brief description
Portrait of Charles I, as Prince of Wales. Miniature by Balthasar Gerbier, 1616
Physical description
Portrait half-length, to left and looking to front. The sitter is wearing a ruff collar and a chain over his shoulders. The portrait is set in a decorated border with a coat of arms and the feathers of the Prince of Wales above. Features in dark grey-brown stipple over perhaps a faint pale brown under drawing on the bare vellum; hair in pale brown stipple and line, shaded with graphite; collar, bare vellum slightly lined with pale brown; costume in pale brown stipple; architectural surround similarly in stipple and line, 'ruled' also in parallel and concentric lines and with some graphite shading; a ruled marginal strip; on unsupported vellum.

Frame: Nineteenth-century frame of tortoiseshell and stained oak, with gilt-lined rebate.
Dimensions
  • Including frame and hanging loop height: 14.7cm
  • Including frame width: 11.4cm
  • Including frame depth: 1.6cm
Dimensions checked: Measured; 22/04/1999 by sp
Styles
Marks and inscriptions
  • 'Gerbier fec 1616' (Signed and dated)
  • 'Magnae Britaniae et Hiberniae Princep Illustriss: et Potentiss: Princeps Caro [lus]' (Lettered round the image)
  • 'Gerber / N28' (Inscribed on the back in graphite by a nineteenth-century (?) hand)
  • '17 48' (Inscribed on the back in ink)
Gallery label
British Galleries: Limning (painting miniatures) was regarded as a gentlemanly accomplishment. The artist, Sir Balthasar Gerbier, was a courtier who later went abroad on political and picture-buying missions for the Duke of Buckingham.(27/03/2003)
Credit line
Bequeathed by John Jones
Object history
Provenance: Acquired by John Jones from an unrecorded source before 1865, and by him bequeathed to the Museum, 1882.
Subjects depicted
Summary
Object Type
Strictly speaking, this is a drawing rather than a miniature, which is a watercolour art. But Balthazar Gerbier, an amateur artist, was also a painter of miniatures and the drawing incorporates some aspects of miniature painting, being on vellum (a fine parchment) and using touches of watercolour.

People
Gerbier was born in The Netherlands but his early education and training are obscure. He must have been schooled in the accomplishments necessary for courtiers, particularly a knowledge of 'war-like machines'. This recommended him to Prince William of Orange, whose service he entered in 1615. In 1616 he was sent to England to work for the Dutch ambassador, but soon after transferred his service to George Villiers, the Earl, and subsequently Duke, of Buckingham. He became the Duke's domestic architect and adviser on matters of art. In 1628, after Buckingham's assassination, Gerbier transferred formally to the service of Charles I.

Historical Associations
This picture was drawn about 1616, when Gerbier had just arrived in England and Charles was formally invested as Prince of Wales. The Latin inscription translates as 'Most illustrious and powerful Prince of Great Britain and Ireland, Prince Charles'. Thus it celebrates the Prince's new standing, an appropriate subject for an ambitious courtier in the making.
Bibliographic references
  • Murdoch, John. Seventeenth-century English Miniatures in the collection of the Victoria and Albert Museum. London: The Stationery Office, 1997.
  • Catalogue of the Special Exhibition of Portrait Miniatures on Loan at the South Kensington Museum, London, Whittingham & Wilkins, 1865 no. 835
Collection
Accession number
621-1882

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Record createdMarch 27, 2003
Record URL
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