Object Type
The growing use of tureens in the early 19th century enabled food to be kept warm, while the elaborate shapes and decorated lids added considerably to the splendours of the sideboard or the table.

Design & Designing
Loosely copied from 18th-century Sèvres porcelain, Staffordshire porcelain patterns with ground colours and shaped panels in reserve became highly popular in the 1830s. This basic pattern (no. 5061) was also made in claret red, apricot, lime green and three shades of blue. The shape of this tureen, with its moulded handles and scrolly bracket feet, follows that of contemporary silver or Sheffield plate.

Collectors & Owners
This tureen is part of a service that was acquired by the V&A from Miss H. M. Gulson, who had inherited it from her uncle, Josiah Spode IV (1823-1893). Although the V&A wished to accept only a token number of pieces because of the impossibility of displaying the service in its entirety, eventually it agreed to take all rather than destroy the integrity of a documentary service. Since 1902 the service has largely remained in store. The British Galleries now provide a fitting permanent display of the many different shapes used in the service.

The Spode family provenance suggests that the service should represent the grandest and most opulent porcelain made at the factory at Stoke-on-Trent in the last years of Spode ownership. The factory archives, now available to collectors, show that the moulded shape is 'Amherst' (named after Lord Amherst, a popular Viceroy of India who retired in 1828) while the pattern 5061 was introduced in 1832. It would seem therefore that Josiah Spode IV, only nine years old in 1832, may have inherited it later from his own father, Josiah Spode III.