Slop Basin
1759-1769 (made)
Artist/Maker | |
Place of origin |
Object Type
The basin is from a tea and coffee service for six people. It would have been used by the lady of the house, as a receptacle for the dregs from cups, when pouring further cups of tea. In some18th-century portraits, these basins can be seen set on tea tables and covered with a plate of cakes or slices of bread.
Design & Designing
The service is similar to one offered at auction in London in 1770. This was described as 'a very curious and matchless tea and coffee equipage, crimson and gold, most inimitably enamell'd in figures, from the designs of Watteau'. Although the figure subjects here are not directly copied from the work of the French Rococo painter Jean-Antoine Watteau (1684-1721), they are certainly inspired by his work.
Materials & Making
The Chelsea porcelain factory introduced the crimson ground around 1760, when a London auction of Chelsea porcelain included 'a few pieces of some new Colours which have been found this year by Mr [Nicholas] Sprimont, the Proprietor, at a very large Expence, incredible Labour, and close Application'.
The basin is from a tea and coffee service for six people. It would have been used by the lady of the house, as a receptacle for the dregs from cups, when pouring further cups of tea. In some18th-century portraits, these basins can be seen set on tea tables and covered with a plate of cakes or slices of bread.
Design & Designing
The service is similar to one offered at auction in London in 1770. This was described as 'a very curious and matchless tea and coffee equipage, crimson and gold, most inimitably enamell'd in figures, from the designs of Watteau'. Although the figure subjects here are not directly copied from the work of the French Rococo painter Jean-Antoine Watteau (1684-1721), they are certainly inspired by his work.
Materials & Making
The Chelsea porcelain factory introduced the crimson ground around 1760, when a London auction of Chelsea porcelain included 'a few pieces of some new Colours which have been found this year by Mr [Nicholas] Sprimont, the Proprietor, at a very large Expence, incredible Labour, and close Application'.
Object details
Categories | |
Object type | |
Materials and techniques | Soft-paste porcelain, painted in enamel colours and gilt |
Brief description | Slop basin, porcelain, Chelsea Porcelain factory, London, 1759-1769 |
Dimensions |
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Gallery label |
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Credit line | Bequeathed by Miss Emily S. Thomson |
Object history | From tea set - museum nos. 517 to 523-1902 |
Subject depicted | |
Summary | Object Type The basin is from a tea and coffee service for six people. It would have been used by the lady of the house, as a receptacle for the dregs from cups, when pouring further cups of tea. In some18th-century portraits, these basins can be seen set on tea tables and covered with a plate of cakes or slices of bread. Design & Designing The service is similar to one offered at auction in London in 1770. This was described as 'a very curious and matchless tea and coffee equipage, crimson and gold, most inimitably enamell'd in figures, from the designs of Watteau'. Although the figure subjects here are not directly copied from the work of the French Rococo painter Jean-Antoine Watteau (1684-1721), they are certainly inspired by his work. Materials & Making The Chelsea porcelain factory introduced the crimson ground around 1760, when a London auction of Chelsea porcelain included 'a few pieces of some new Colours which have been found this year by Mr [Nicholas] Sprimont, the Proprietor, at a very large Expence, incredible Labour, and close Application'. |
Collection | |
Accession number | 520-1902 |
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Record created | March 27, 2003 |
Record URL |
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