Sugar Basin
1759-1769 (made)
| Artist/Maker | |
| Place of origin |
Object Type
The bowl is from a tea and coffee service for six people. It would probably have contained small lumps of refined white sugar, which would have been served with sugar tongs. Britain's sugar came from sugar cane plantations in the West Indies. In 1784 a French visitor to Britain noted that 'Sugar, even unrefined sugar ... is necessary [for tea] and very dear'. Sugar was also widely taken with coffee, as it counteracted the bitter taste.
Design & Designing
The service is similar to one offered at auction in London in 1770. This was described as 'a very curious and matchless tea and coffee equipage, crimson and gold, most inimitably enamell'd in figures, from the designs of Watteau'. Although the figure subjects here are not directly copied from the work of the French Rococo painter Jean-Antoine Watteau (1684-1721), they are certainly inspired by his work.
Materials & Making
The Chelsea porcelain factory introduced the crimson ground around 1760, when a London auction of Chelsea porcelain included 'a few pieces of some new Colours which have been found this year by Mr [Nicholas] Sprimont, the Proprietor, at a very large Expence, incredible Labour, and close Application'.
The bowl is from a tea and coffee service for six people. It would probably have contained small lumps of refined white sugar, which would have been served with sugar tongs. Britain's sugar came from sugar cane plantations in the West Indies. In 1784 a French visitor to Britain noted that 'Sugar, even unrefined sugar ... is necessary [for tea] and very dear'. Sugar was also widely taken with coffee, as it counteracted the bitter taste.
Design & Designing
The service is similar to one offered at auction in London in 1770. This was described as 'a very curious and matchless tea and coffee equipage, crimson and gold, most inimitably enamell'd in figures, from the designs of Watteau'. Although the figure subjects here are not directly copied from the work of the French Rococo painter Jean-Antoine Watteau (1684-1721), they are certainly inspired by his work.
Materials & Making
The Chelsea porcelain factory introduced the crimson ground around 1760, when a London auction of Chelsea porcelain included 'a few pieces of some new Colours which have been found this year by Mr [Nicholas] Sprimont, the Proprietor, at a very large Expence, incredible Labour, and close Application'.
Object details
| Categories | |
| Object type | |
| Parts | This object consists of 2 parts.
|
| Materials and techniques | Soft-paste porcelain, painted in enamel colours and gilt |
| Brief description | Sugar basin, porcelain, Chelsea Porcelain factory, London, 1759-1769 |
| Dimensions |
|
| Gallery label | British Galleries:
TEA SERVICE, from a tea and coffee service 1759-1769 This English porcelain tea service is typical of those used in wealthier households during the 18th century. It consists of a teapot and stand, cups and saucers, a milk jug, a bowl for sugar and a dish for the tea dregs called a slop basin.(27/03/2003) |
| Credit line | Bequeathed by Miss Emily S. Thomson |
| Object history | From tea set - museum nos. 517 to 523-1902 |
| Subject depicted | |
| Summary | Object Type The bowl is from a tea and coffee service for six people. It would probably have contained small lumps of refined white sugar, which would have been served with sugar tongs. Britain's sugar came from sugar cane plantations in the West Indies. In 1784 a French visitor to Britain noted that 'Sugar, even unrefined sugar ... is necessary [for tea] and very dear'. Sugar was also widely taken with coffee, as it counteracted the bitter taste. Design & Designing The service is similar to one offered at auction in London in 1770. This was described as 'a very curious and matchless tea and coffee equipage, crimson and gold, most inimitably enamell'd in figures, from the designs of Watteau'. Although the figure subjects here are not directly copied from the work of the French Rococo painter Jean-Antoine Watteau (1684-1721), they are certainly inspired by his work. Materials & Making The Chelsea porcelain factory introduced the crimson ground around 1760, when a London auction of Chelsea porcelain included 'a few pieces of some new Colours which have been found this year by Mr [Nicholas] Sprimont, the Proprietor, at a very large Expence, incredible Labour, and close Application'. |
| Collection | |
| Accession number | 518&A-1902 |
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| Record created | March 27, 2003 |
| Record URL |
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