Bed Curtain
1700-1715 (made)
Artist/Maker | |
Place of origin |
This embroidered curtain was made as part of a full set of bed hangings in England in the early 18th century. When acquired by the Museum, the set was said to have come from Wattisfield Hall, near Bury St Edmunds.
Crewelwork hangings became the most popular form of English domestic furnishing in the late 17th and early 18th centuries. The design was heavily influenced by contemporary Indian embroideries imported into Europe by the East India Company.
These embroideries experienced a revival of interest as antiques and fashionable furnishings in the late 19th and early 20th centuries, when sets (many of which had survived) were bought for use on antique four-poster beds and were also split up and used as curtains on windows. At the time the work was described erroneously as 'Jacobean' work, but later acquired the nickname 'Jacobethan'. Original crewelwork hangings were used in fashionable homes and those of collectors, but the style also spread to new furnishings, with contemporary designers and manufacturers producing printed linens with similar trailing tree and hillock designs.
Crewelwork hangings became the most popular form of English domestic furnishing in the late 17th and early 18th centuries. The design was heavily influenced by contemporary Indian embroideries imported into Europe by the East India Company.
These embroideries experienced a revival of interest as antiques and fashionable furnishings in the late 19th and early 20th centuries, when sets (many of which had survived) were bought for use on antique four-poster beds and were also split up and used as curtains on windows. At the time the work was described erroneously as 'Jacobean' work, but later acquired the nickname 'Jacobethan'. Original crewelwork hangings were used in fashionable homes and those of collectors, but the style also spread to new furnishings, with contemporary designers and manufacturers producing printed linens with similar trailing tree and hillock designs.
Object details
Categories | |
Object type | |
Parts | This object consists of 10 parts.
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Materials and techniques | Embroidery in wools on a cotton and linen twill ground in brick and stem stitches with French knots |
Brief description | Set of crewelwork bed hangings in 10 parts, English early 18th century |
Physical description | Set of bed hangings, embroidered in crewel wool in different shades predominantly browns and greens, on twill ground. The design is typical of crewelwork: the leaves are attached to meandering branches, and embroidered with different filling stitches; there are no birds or animals, and only a very small mound at the base of the curtains from which the branches are growing. |
Dimensions | all dimensions approximate - edges very irregular |
Gallery label | British Galleries:
Collectors were keen to acquire authentic 17th- and 18th-century textiles for their homes. This curtain is part of a set of hangings for a four-poster bed. Many such sets were cut up in the 19th century to make cushion covers, smaller curtains or chair seats in an appropriate period style.(27/03/2003) |
Object history | The vendor William Newton said that the set had come from Wattisfield Hall, near Bury St Edmunds, Suffolk. He described it as comprising 2 curtains 7' x 6'3", 2 curtains 6'3" x 3'3", 3 top valances with fringe, 3 bottom valances, and 3 plain bits to go at the back of top valances. He also notes : "two of the curtains are dated in old marking with June 30 1713 and 1713/14, but this might have been when they came into possession of a new owner." 13 parts were numbered. Parts J, K and L were written off in 1933, RF 33/584. They were included on a list of objects described as "quite unsuitable for Museum purposes in any way either in this museum or in any other Museum. As Mr Tattersall suggests some might be used as material [for repairing or in other ways] but many are fitted only for destruction". The list was subdivided, and they were included in the section marked as suitable for sale. They were, however, destryoed, 27/7/1934. The rest of the set was divided between the Textiles Department (parts c,f and i) and Circulation Department (353, a, b, d, e, g and h). The set was described as "lined, some with linen and some with canvas : they are bordered with modern green braid." The measurements of the written off valances were : 5'11" x 11", 6' x 11.5", 4'5.5" x 11.5". |
Historical context | This type of late 17th / early 18th century crewelwork was very popular again in the early 20th century. When the set was offered to the museum for purchase in 1907, its acquisition was recommended : "apart from their usefulness in hanging round one of our contemporary bedsteads in the furnished rooms, the demand for such specimens of English worsted embroidery is constant and increasing." "The work of this character in the Museum is being constantly copied by students". "Embroideries of this character are very useful for students and are in great demand". There is also an endorsement by Walter Crane : "A set of embroidered bed-hangings (crewelwork) of late 17th century period (English) are extremely good and well preserved. The curtains especially. These would be very useful for the Circulation Department as examples for needlework students. And the price is moderate. 24/4/07." |
Production | part 353a has the written inscription "jan 4 1713/14". |
Summary | This embroidered curtain was made as part of a full set of bed hangings in England in the early 18th century. When acquired by the Museum, the set was said to have come from Wattisfield Hall, near Bury St Edmunds. Crewelwork hangings became the most popular form of English domestic furnishing in the late 17th and early 18th centuries. The design was heavily influenced by contemporary Indian embroideries imported into Europe by the East India Company. These embroideries experienced a revival of interest as antiques and fashionable furnishings in the late 19th and early 20th centuries, when sets (many of which had survived) were bought for use on antique four-poster beds and were also split up and used as curtains on windows. At the time the work was described erroneously as 'Jacobean' work, but later acquired the nickname 'Jacobethan'. Original crewelwork hangings were used in fashionable homes and those of collectors, but the style also spread to new furnishings, with contemporary designers and manufacturers producing printed linens with similar trailing tree and hillock designs. |
Collection | |
Accession number | 353 to I-1907 |
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Record created | March 27, 2003 |
Record URL |
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