Vase
1874 (made)
| Artist/Maker | |
| Place of origin |
Object Type
Doulton's commercial production was of salt-glazed utilitarian wares, which were strong and waterproof. Their art ware production, begun in the early 1860s, capitalised on this technical expertise. The artwares, such as this vase, were made on the back of the utilitarian ware using the same material but more decoratively. Doulton was among the first to rediscover the qualities which made stoneware appropriate for art wares. Although perfectly functional as a water-container, stoneware's strength and ability to retain a crisp decorative outline recommended it to collectors in Britain and abroad.
People
Hannah Barlow was one of a family of decorators. She studied at Lambeth School of Art and joined Doulton's art studio nearby in 1871, her brother Arthur and sisters Florence and Lucy joining her thereafter. She was the first female artist to work there. She specialised in incised decoration of countryside subjects of farmhands, and animals in a fresh and natural manner, almost as though she was using the clay as a sketchbook.
Doulton's commercial production was of salt-glazed utilitarian wares, which were strong and waterproof. Their art ware production, begun in the early 1860s, capitalised on this technical expertise. The artwares, such as this vase, were made on the back of the utilitarian ware using the same material but more decoratively. Doulton was among the first to rediscover the qualities which made stoneware appropriate for art wares. Although perfectly functional as a water-container, stoneware's strength and ability to retain a crisp decorative outline recommended it to collectors in Britain and abroad.
People
Hannah Barlow was one of a family of decorators. She studied at Lambeth School of Art and joined Doulton's art studio nearby in 1871, her brother Arthur and sisters Florence and Lucy joining her thereafter. She was the first female artist to work there. She specialised in incised decoration of countryside subjects of farmhands, and animals in a fresh and natural manner, almost as though she was using the clay as a sketchbook.
Object details
| Categories | |
| Object type | |
| Materials and techniques | Salt-glazed stoneware with incised decoration |
| Brief description | Vase, stoneware, incised decoration, designed and decorated by Hannah Barlow, probably assisted by Miss Middlemiss, made by Doulton Lambeth, England, 1874 |
| Dimensions |
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| Marks and inscriptions | Impressed marks on the base: DOULTON/1874/LAMBETH; incised monograms: Mi (probably for Miss Middlemiss) ; BHB (for Hannah Barlow); 202; painted mark: 352 |
| Gallery label |
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| Object history | Made at Doulton & Co, Lambeth Art Pottery, Lambeth, London; decorated by Hannah Barlow (born in Little Hadam, Hertfordshire,1851, died in London, 1916) ; probably assisted by Senior Assistant, Miss Middlemiss |
| Summary | Object Type Doulton's commercial production was of salt-glazed utilitarian wares, which were strong and waterproof. Their art ware production, begun in the early 1860s, capitalised on this technical expertise. The artwares, such as this vase, were made on the back of the utilitarian ware using the same material but more decoratively. Doulton was among the first to rediscover the qualities which made stoneware appropriate for art wares. Although perfectly functional as a water-container, stoneware's strength and ability to retain a crisp decorative outline recommended it to collectors in Britain and abroad. People Hannah Barlow was one of a family of decorators. She studied at Lambeth School of Art and joined Doulton's art studio nearby in 1871, her brother Arthur and sisters Florence and Lucy joining her thereafter. She was the first female artist to work there. She specialised in incised decoration of countryside subjects of farmhands, and animals in a fresh and natural manner, almost as though she was using the clay as a sketchbook. |
| Collection | |
| Accession number | 352-1874 |
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| Record created | March 27, 2003 |
| Record URL |
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