Fan
1850-1870 (made)
| Place of origin |
Object Type
Late 19th-century Japanese export fans were made in a wide variety of materials and forms. This fan has a double leaf painted with a different design on either side. Although it has relatively simple bamboo sticks, the guards, which would have been visible even when the fan was closed, are very ornate. The use of ivory encrusted with hardstones and other materials was a style of workmanship especially popular in the West. The high level of ornamentation on export fans is very different from what is found on fans for the native Japanese market. The use of subject matter such as women wearing kimono is also more typical of export than domestic products.
Time
The opening up of Japan in the mid-1850s after more than two centuries of seclusion from the rest of the world triggered a huge expansion in the manufacture of export goods in various media. These were avidly bought by western collectors, artists and designers, and played a central role in the development of 'Japonisme' and then art nouveau.
Late 19th-century Japanese export fans were made in a wide variety of materials and forms. This fan has a double leaf painted with a different design on either side. Although it has relatively simple bamboo sticks, the guards, which would have been visible even when the fan was closed, are very ornate. The use of ivory encrusted with hardstones and other materials was a style of workmanship especially popular in the West. The high level of ornamentation on export fans is very different from what is found on fans for the native Japanese market. The use of subject matter such as women wearing kimono is also more typical of export than domestic products.
Time
The opening up of Japan in the mid-1850s after more than two centuries of seclusion from the rest of the world triggered a huge expansion in the manufacture of export goods in various media. These were avidly bought by western collectors, artists and designers, and played a central role in the development of 'Japonisme' and then art nouveau.
Object details
| Categories | |
| Object type | |
| Materials and techniques | Bamboo, painted silk, ivory encrusted with hardstones, horn and coloured ivory |
| Brief description | Painted fan, bamboo, painted silk, ivory encrusted with hardstones, horn and coloured ivory, Japan, 1850-1870 |
| Dimensions |
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| Gallery label |
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| Credit line | Given by Sir Matthew Digby Wyatt and Lady Wyatt |
| Object history | Given by Sir Matthew Digby Wyatt and Lady Wyatt, accessioned in 1876. This acquisition information reflects that found in the Asia Department registers, as part of a 2022 provenance research project. |
| Subjects depicted | |
| Summary | Object Type Late 19th-century Japanese export fans were made in a wide variety of materials and forms. This fan has a double leaf painted with a different design on either side. Although it has relatively simple bamboo sticks, the guards, which would have been visible even when the fan was closed, are very ornate. The use of ivory encrusted with hardstones and other materials was a style of workmanship especially popular in the West. The high level of ornamentation on export fans is very different from what is found on fans for the native Japanese market. The use of subject matter such as women wearing kimono is also more typical of export than domestic products. Time The opening up of Japan in the mid-1850s after more than two centuries of seclusion from the rest of the world triggered a huge expansion in the manufacture of export goods in various media. These were avidly bought by western collectors, artists and designers, and played a central role in the development of 'Japonisme' and then art nouveau. |
| Collection | |
| Accession number | 2279-1876 |
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| Record created | March 27, 2003 |
| Record URL |
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