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Print

ca. 1600 (made)
Artist/Maker
Place of origin

This set of four designs by Adriaen Collaert (c.1560-1618) would have been used to decorate plates or spice bowls. Spice bowls were small dishes (around 30 cm.) used to present sweets at the end of a meal, and were usually made with gold or silver. The centre of each of Collaert’s designs shows a specific mythological figure associated with the sea. In each, a band around the central image shows fantastical scenes of sea monsters, mermen and nudes. Many of the surrounding figures emphasise the identity of the central figures. For example, Arion is surrounded by musicians while the border of the Venus plate shows lovers and young woman admiring herself in a mirror. Around the outer rim of each design is a different geometric design. If these images were ever implemented in the production of a dish, they would have been luxurious and fashionable objects.

Object details

Category
Object type
Materials and techniques
engraving
Brief description
Design for a plate or cup with Neptune, from a series of four such designs after Adriaen Collaert. Flemish, ca. 1600.
Physical description
Square print with black ground on top of which is the design for the plate or cup; the design consists of a thin geometric border, and within it a broad ring decorated with fish, mermen and other sea creatures, and within that, a particular mythological figure, in this case, Arion.
Dimensions
  • Width: 15.5cm
  • Height: 16.1cm
Content description
Neptune sits on a shell in the ocean. With his left hand he holds the reigns of three horses and with his right his trident. Around the central scene in a wide band is a scene of mermen and sea creatures, including a seal, various crustaceans and an assortment of fish. Two of the mermen ride fish, one blowing a trumpet and the other holding a trident. In the water, one figure holds two sea snakes or eels, while another blows a horn, and another holds a shell and a palm.
Marks and inscriptions
"3 Adrianus Collaert fecit. Philippus Galle excudit" (bottom edge)
Object history
Though the central scenes are from the Old Testament rather than Classical mythology, see the silver spice bowls in the Victoria and Albert collection (M.55C-1946) to get an idea of how the Collaert designs may have been realised. (F. Allitt)
Subjects depicted
Summary
This set of four designs by Adriaen Collaert (c.1560-1618) would have been used to decorate plates or spice bowls. Spice bowls were small dishes (around 30 cm.) used to present sweets at the end of a meal, and were usually made with gold or silver. The centre of each of Collaert’s designs shows a specific mythological figure associated with the sea. In each, a band around the central image shows fantastical scenes of sea monsters, mermen and nudes. Many of the surrounding figures emphasise the identity of the central figures. For example, Arion is surrounded by musicians while the border of the Venus plate shows lovers and young woman admiring herself in a mirror. Around the outer rim of each design is a different geometric design. If these images were ever implemented in the production of a dish, they would have been luxurious and fashionable objects.
Bibliographic references
  • Blanc, M. Ch. Le, Manuel de l’amateur d’estampes contenant le dictionnaire des graveurs de toutes les nations. Dans lequel sont décrites les Estampes rares, précieuses et intéressantes avec l’indication de leurs différents états et des prix auxquels ces Estampes ont été portées dans les ventes publiques, en Frances et à l’Etranger, depuis un siècle, II, Paris 1856, p. 37, 216-19.
  • Diels, A., ‘Wat d’yser can bemaelen’: prenten van de Antwerpse graveursfamilie Collaert (1550-1630). Exh. Cat. Koninklijk Bibliotheek Albert I, Brussel 2005, Ouderkerk aan den IJssel 2005, pp. 98-99, 23.
  • Hollstein, F.W.H., et al., Dutch and Flemish etchings engravings and woodcuts, ca. 1450-1700, Amsterdam 1949-87; Roosendaal 1988-93; Rotterdam 1995-2004, vol. IV (Adriaen) 408-11.
  • Hollstein, F.W.H., et al., Dutch and Flemish etchings engravings and woodcuts, ca. 1450-1700, Amsterdam 1949-87; Roosendaal 1988-93; Rotterdam 1995-2004, vol. VII, (after Ph. Galle) p 83, 1-4.
  • Hymans, H. Catalogue des estampes d’ornement faisant partie des collections de la Bibliothèque Royal de Belgique, Bruxelles 1907, pp. 243, 271.
  • Jessen, P., Der Ornamentsstich: Geschichte der Vorlagen des Kusthandwerks seit dem Mittelalter, Berlin 1920, pp. 96-98.
  • Jong, M. de and I. de Groot, Ornamentprenten in het Rijksprentenkabinet I: 15de & 16de eeuw, Amsterdam 1988, 62.
  • Katalog der Ornamentstich-Sammlung der Staatlichen Kunstbibliothek Berlin, Berlin-Leipzig 1939 [reprint New York 1958], 518, and ill. 217.
  • Katalog der Ornamentstich-Sammlung der Staatlichen Kunstbibliothek Berlin, New York 1958 [reprint from Berlin-Leipzig 1939], 1008.
  • Sellink, M., ‘As a Guide to the Highest Learning; an Antwerp Drawing book dated 1589’, Simiolus 21 (1992), pp. 40-56; pp. 52, ill. 25.
  • Sellink, M., Philips Galle (1537-1612). Engraver and Print Publisher in Haarlem and Antwerp, Gouda-Rotterdam 1997 [Ph.D. diss. VU Amsterdam], vol II, p. 329, App. 3 D.
  • Wurzbach, A. von, Niederländisches Künstler-Lexicon, Wien-Leipzig 1906-11, 24 (Adriaen).
  • Wurzbach, A. von, Niederländisches Künstler-Lexicon, Wien-Leipzig 1906-11, vol. I, pg. 567, 1 (after Ph. Galle).
  • Aquatopia. The imaginary of the Ocean Deep Nottingham: Nottingham Contemporary, 2013. ISBN: 9781849762373.
Collection
Accession number
E.5-1923

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Record createdJune 30, 2009
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