Harvesting : Sunset
Watercolour
1863 (made)
1863 (made)
| Artist/Maker | |
| Place of origin |
Object Type
Landscape painting in oil became steadily more popular throughout the 19th century. John Constable and J.M.W. Turner take credit for establishing landscape as a suitable theme for painting. Until then history paintings had been considered more important, but increasingly naturalistic oil paintings of picturesque views of the British landscape appealed to a wider section of the art-buying public.
People
Henry Brittan Willis (1810-1884) was the son of a Bristol painter and was instructed by his father. He went to America in 1842 but returned and settled in London in 1843. He exhibited from 1844 to 1883, mainly at the Old Watercolour Society, but also at the Royal Academy, the British Institution and elsewhere. Willis seems to have specialised in landscapes, often with cattle and wagons, as here. This picture of the harvest on the South Downs is typical of his work.
Landscape painting in oil became steadily more popular throughout the 19th century. John Constable and J.M.W. Turner take credit for establishing landscape as a suitable theme for painting. Until then history paintings had been considered more important, but increasingly naturalistic oil paintings of picturesque views of the British landscape appealed to a wider section of the art-buying public.
People
Henry Brittan Willis (1810-1884) was the son of a Bristol painter and was instructed by his father. He went to America in 1842 but returned and settled in London in 1843. He exhibited from 1844 to 1883, mainly at the Old Watercolour Society, but also at the Royal Academy, the British Institution and elsewhere. Willis seems to have specialised in landscapes, often with cattle and wagons, as here. This picture of the harvest on the South Downs is typical of his work.
Object details
| Category | |
| Object type | |
| Title | Harvesting : Sunset |
| Materials and techniques | Watercolour |
| Brief description | Watercolour by Henry Brittan Willis entitled 'Harvest Field, with a Bullock Waggon : Sunset'. Great Britain, 1863. |
| Physical description | Watercolour entitled 'Harvest Field, with a Bullock Waggon : Sunset'. |
| Dimensions |
|
| Gallery label |
|
| Credit line | Dixon Bequest |
| Object history | Painted in England by Henry Brittan Willis RWS (born in Bristol, 1810, died in London, 1884) |
| Subjects depicted | |
| Summary | Object Type Landscape painting in oil became steadily more popular throughout the 19th century. John Constable and J.M.W. Turner take credit for establishing landscape as a suitable theme for painting. Until then history paintings had been considered more important, but increasingly naturalistic oil paintings of picturesque views of the British landscape appealed to a wider section of the art-buying public. People Henry Brittan Willis (1810-1884) was the son of a Bristol painter and was instructed by his father. He went to America in 1842 but returned and settled in London in 1843. He exhibited from 1844 to 1883, mainly at the Old Watercolour Society, but also at the Royal Academy, the British Institution and elsewhere. Willis seems to have specialised in landscapes, often with cattle and wagons, as here. This picture of the harvest on the South Downs is typical of his work. |
| Collection | |
| Accession number | 1218-1886 |
About this object record
Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.
You can write to us to suggest improvements to the record.
Suggest feedback
You can write to us to suggest improvements to the record.
Suggest feedback
| Record created | March 25, 2003 |
| Record URL |
Download as: JSONIIIF Manifest
