Fragment
10th century (made)
Artist/Maker | |
Place of origin |
Tiraz. Cotton ikat with inscription in gold. Fatimid Yemen, tenth century.
This is a very good example of a cotton ikat with an inscription painted in gold and outlined in blue-black ink, which most probably originated in Yemen, rather than being an Egyptian imitation, as usually ikat from the Yemen are cotton, whereas known Egyptian imitations are linen, as a number in the V&A demonstrate. The textile is dateable to the tenth century, as the inscription is similar to tenth century carved inscriptions on unglazed jars from north-east Persia, , in the Freer Gallery of Art in Washington. The marginal decorative motif also recalls tenth- or eleventh-century Qur’anic illumination as in the Ibn al-Bawwab Qur-an in the Chester Beatty Library.
Technical analysis: Yemeni tiraz. Ground or main part of material: plain or tabby weave. Warp: cotton Z-twist, some ikat-dyed in two different shades of blue. Thread count about 22 per cm. Weft: cotton , Z-twist. Thread count about 13 per cm. Fringe: formed from groups of warp ends Z-twisted together. Inscription: with letters painted in gold which is outlined in dark blue/black. Some of the gold has been rubbed off and can be seen lower down on this fragment of textile.
This is a very good example of a cotton ikat with an inscription painted in gold and outlined in blue-black ink, which most probably originated in Yemen, rather than being an Egyptian imitation, as usually ikat from the Yemen are cotton, whereas known Egyptian imitations are linen, as a number in the V&A demonstrate. The textile is dateable to the tenth century, as the inscription is similar to tenth century carved inscriptions on unglazed jars from north-east Persia, , in the Freer Gallery of Art in Washington. The marginal decorative motif also recalls tenth- or eleventh-century Qur’anic illumination as in the Ibn al-Bawwab Qur-an in the Chester Beatty Library.
Technical analysis: Yemeni tiraz. Ground or main part of material: plain or tabby weave. Warp: cotton Z-twist, some ikat-dyed in two different shades of blue. Thread count about 22 per cm. Weft: cotton , Z-twist. Thread count about 13 per cm. Fringe: formed from groups of warp ends Z-twisted together. Inscription: with letters painted in gold which is outlined in dark blue/black. Some of the gold has been rubbed off and can be seen lower down on this fragment of textile.
Object details
Category | |
Object type | |
Materials and techniques | Woven cotton |
Brief description | Fragments of a cotton ikat tiraz with inscription woven in gold thread. Fatimid Yemen, 10th century. |
Physical description | Tiraz. Cotton ikat with inscription in gold. Fatimid Yemen, tenth century. This is a very good example of a cotton ikat with an inscription painted in gold and outlined in blue-black ink, which most probably originated in Yemen, rather than being an Egyptian imitation, as usually ikat from the Yemen are cotton, whereas known Egyptian imitations are linen, as a number in the V&A demonstrate. The textile is dateable to the tenth century, as the inscription is similar to tenth century carved inscriptions on unglazed jars from north-east Persia, , in the Freer Gallery of Art in Washington. The marginal decorative motif also recalls tenth- or eleventh-century Qur’anic illumination as in the Ibn al-Bawwab Qur-an in the Chester Beatty Library. Technical analysis: Yemeni tiraz. Ground or main part of material: plain or tabby weave. Warp: cotton Z-twist, some ikat-dyed in two different shades of blue. Thread count about 22 per cm. Weft: cotton , Z-twist. Thread count about 13 per cm. Fringe: formed from groups of warp ends Z-twisted together. Inscription: with letters painted in gold which is outlined in dark blue/black. Some of the gold has been rubbed off and can be seen lower down on this fragment of textile. |
Dimensions |
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Style | |
Production type | Unique |
Marks and inscriptions | 'bismi-llah s ...' (1) Makers's mark; Arabic; Centre / top of the larger piece of fragment; painted)
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Gallery label |
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Object history | 107-1887 to 109-1887 inclusive purchased for £25 from Henry Wallis. |
Association | |
Bibliographic reference | Contadini, Anna, Fatimid Art at the Victoria & Albert Museum. London: V&A Publications, 1998. p.61, plate 15. |
Collection | |
Accession number | 108-1887 |
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Record created | March 25, 2003 |
Record URL |
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