Fancy print cotton fabric, designed and produced for the West African market. Fancy prints are an off-shoot of the European production of ankara, a printed cotton cloth produced in a variety of patterns formed by the layering of polychromatic dyes. Fashionable in West and East Africa since the late 19th century, ankara is variously known as 'African wax' or 'Dutch wax' print – despite wax rarely being used in its manufacture. Embodying the overlapping colonial interests that prevailed in the region and beyond, the cloth has a complex history – rooted in trade monopolisation and cultural appropriation, yet acting as a conduit for African agency and resistance. Originally produced in the Netherlands, ankara emerged from experiments to mechanically replicate batik, an Indonesian wax-print cloth traditionally developed by hand. Early Dutch attempts roller-printed a resin-resist onto both sides of the cloth before dyeing; the resist was then washed out, with additional layers of colour added by repeating this process, hand-blocking and/or roller-printing. The intended export market of Indonesia did not respond well to this imitation batik, as the resin was prone to cracking and bubbling, producing defects in the print. A keen market for the cloth did, however, emerge across West Africa in the 1890s, such that several factories – chiefly in Britain and the Netherlands – began producing ankara with this new customer in mind. Responding to market feedback on popular colours and patterns, European producers adapted ankara designs to suit the tastes of their discerning West African customers. In a collaboration between the consumer, dealer and manufacturer, local sellers would inform European merchants which styles were in demand and suggest motifs that would likely sell well.

Fancy prints emerged around 1930, as experiments with ankara production progressed. Unlike ankara, fancy prints do not use a resin-resist, and are only printed on one side of the cloth, creating a crisper finish more suitable for the photographic imagery often used within commemorative textiles. Many examples of fancy prints do, however, purposefully include the imperfections that originally marred Dutch attempts to replicate batik – in an attempt mimic the more esteemed resin-resist technique.

This particular design was likely created to commemorate the 1937 coronation of King George VI, designed for export into West Africa, much of which was colonised by the British Empire.