The walls of the Painted Chamber, Westminster Palace
Watercolour Drawing
ca. 1790-1810 (made)
ca. 1790-1810 (made)
Artist/Maker | |
Place of origin |
Sketch depicting the walls of the Painted Chamber, Westminster Palace, and copies of five 15th century tapestries which formerly hung in the chamber.
Object details
Categories | |
Object type | |
Title | The walls of the Painted Chamber, Westminster Palace (generic title) |
Materials and techniques | Pen and ink on tracing paper |
Brief description | Sketch by John Carter depicting the walls of the Painted Chamber, Westminster Palace, and copies of five 15th century tapestries from Flanders which formerly hung in the chamber. Great Britain, ca. 1790-1810. |
Physical description | Sketch depicting the walls of the Painted Chamber, Westminster Palace, and copies of five 15th century tapestries which formerly hung in the chamber. |
Dimensions | Various sizes |
Credit line | From the Gardner and Coates collections |
Object history | The tapestries depicted were woven in Flanders in the last half of the 15th century. The five depicted were originally part of a series of eleven, known as 'The Great History of Troy'. Each panel contained two or three episodes taken from the 'Roman de Troie' by Benoit de Saint-More, published ca. 1164. In 1789, several architects including Adam, Wyatt, and Dance, had reported to a committee of the Commons in favour of rebuilding the Palace of Westminster. By way of protest against this proposal, involving the removal of the tapestries, John Carter published a series of articles in 'Gentleman's Magazine' entitled 'The Pursuits of Architectural Innovation', under the anonymous nom de plume 'An Artist'. In spite of his protest the tapestries were removed and some years later were sold in 1820 for £10 to the late Charles Yarnold. After his death in 1825, they were included in a catalogue of Yarnold's curiosities and were bought by a Mr Matheman for £7. In the catalogue they were described as Plantagenet tapestries. Those depicted in E.2252 to 2254-1924 were bought for 60 guineas by a Mr Teschemacher and nothing is known of them after 1829. |
Subjects depicted | |
Place depicted | |
Bibliographic reference | Victoria and Albert Museum, Department of Engraving, Illustration and Design & Department of Paintings, Accessions 1924, published under the Authority of the Board of Education, London, 1926. |
Collection | |
Accession number | E.2223-1924 |
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Record created | June 30, 2009 |
Record URL |
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