The 'Looking Back' Willow
Woodblock Print
1843-1847 (made)
1843-1847 (made)
Artist/Maker | |
Place of origin |
The subject of this uchiwa-e (rigid fan print) design by Hiroshige is the famous 'Looking Back' Willow that stood outside the Omon or Great Gate, the sole point of entry and departure for visitors to the Yoshiwara licensed pleasure quarter in the Imado Asakusa district of Edo. The last object in view as clients looked back when departing on their early morning journey along the Nihon Embankment, it symbolised the pathos of separating lovers. The scene here is set in the dead of night rather than at dawn, however, and it is a courtesan rather than a man that the servant with the lantern is seeing off. The lantern is marked with the katakana characters for 'hi' and 'ro', the first two syllables of Hiroshige's name.
Object details
Category | |
Object type | |
Titles |
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Materials and techniques | Colour print from woodblocks |
Brief description | Woodblock print, Utagawa Hiroshige I; 'The 'Looking Back' Willow', from the series 'Eight Famous Views of Plants and Trees in the Eastern Capital'; fan print, Japanese, 1843-1847 |
Physical description | Fan print, aiban size. Artist signature: Hiroshige ga. Publisher mark: Tsujiya Yasubei. Censor seal: Tanaka. |
Dimensions |
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Style | |
Object history | Purchased from J. S. Happer, accessioned in 1911. This acquisition information reflects that found in the Asia Department registers, as part of a 2022 provenance research project. Purchased from J. S. Happer along with a number of other prints for £12.4.. |
Place depicted | |
Summary | The subject of this uchiwa-e (rigid fan print) design by Hiroshige is the famous 'Looking Back' Willow that stood outside the Omon or Great Gate, the sole point of entry and departure for visitors to the Yoshiwara licensed pleasure quarter in the Imado Asakusa district of Edo. The last object in view as clients looked back when departing on their early morning journey along the Nihon Embankment, it symbolised the pathos of separating lovers. The scene here is set in the dead of night rather than at dawn, however, and it is a courtesan rather than a man that the servant with the lantern is seeing off. The lantern is marked with the katakana characters for 'hi' and 'ro', the first two syllables of Hiroshige's name. |
Collection | |
Accession number | E.547-1911 |
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Record created | March 11, 2003 |
Record URL |
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