Painting
ca. 1855 (painted)
Artist/Maker | |
Place of origin |
William Carpenter was the eldest son of the distinguished portrait painter Margaret Sarah Carpenter and of William Hookham Carpenter, who became Keeper of the Prints and Drawings Department at the British Museum. In early 1850 he set off in the footsteps of his younger brother Percy, also an artist, and landed in Bombay. He spent much of his time painting portraits of local rulers and the surrounding countryside, often wearing Indian dress himself. He travelled widely, from Sri Lanka in the south to Kashmir in the north, and he also spent some time in the Punjab and Afghanistan before moving south to Rajasthan. He appears to have returned to England in 1856. Ten years later he was living in Boston, USA, but he later returned to London, where he died in 1899. This painting depicts a ghat on the Narbada river. A ghat is a broad flight of steps on an Indian riverbank that gives access to the water, especially for bathing. The Narmada or Narbada river (spelled Nerbudda by Carpenter) is traditionally regarded as the boundary between Hindustan proper and the Deccan and is the second holiest river (after the Ganges) in India. There are special places of pilgrimage along its whole course.
Object details
Object type | |
Materials and techniques | Watercolour on paper |
Brief description | Painting by a British artist; William Carpenter, A ghat on the Narbada (Nerbudda) river, India, 1885. |
Physical description | The Ghat at Mheysir on the Narbada river. |
Dimensions |
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Credit line | Purchased from William Carpenter |
Object history | Nos. IS.54-1881 to IS.193-1881 purchased from William Carpenter for £500. Purchased from William Carpenter. This acquisition information reflects that found in the Museum records (Asia Department registers and/or Central Inventory) as part of a 2023 provenance research project. Registered Paper 4429-1881 |
Historical context | William Carpenter (ca.1818-1899) travelled through India from 1850-1856 painting portraits and pictures of rulers and their courts and Indian scenery. He travelled to Calcutta via Bombay and Sri Lanka and then up to Delhi and the Punjab frequently dressing in Indian style during his journeys. He stayed in Kashmir from 1854-55, obviously delighting in the scenery and people. Later visiting Afghanistan and then moving south to Rajasthan. On his return to England he exhibited Indian scenes at the Royal Academy between 1857 and 1866. |
Summary | William Carpenter was the eldest son of the distinguished portrait painter Margaret Sarah Carpenter and of William Hookham Carpenter, who became Keeper of the Prints and Drawings Department at the British Museum. In early 1850 he set off in the footsteps of his younger brother Percy, also an artist, and landed in Bombay. He spent much of his time painting portraits of local rulers and the surrounding countryside, often wearing Indian dress himself. He travelled widely, from Sri Lanka in the south to Kashmir in the north, and he also spent some time in the Punjab and Afghanistan before moving south to Rajasthan. He appears to have returned to England in 1856. Ten years later he was living in Boston, USA, but he later returned to London, where he died in 1899. This painting depicts a ghat on the Narbada river. A ghat is a broad flight of steps on an Indian riverbank that gives access to the water, especially for bathing. The Narmada or Narbada river (spelled Nerbudda by Carpenter) is traditionally regarded as the boundary between Hindustan proper and the Deccan and is the second holiest river (after the Ganges) in India. There are special places of pilgrimage along its whole course. |
Bibliographic reference | Archer, Mildred and Ronald Lightbown. 'India Observed: India as viewed by British Artists 1760-1860. Victoria and Albert Museum, London, 1982. p108 and 138. ISBN 0905209184 |
Collection | |
Accession number | IS.107-1881 |
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Record created | March 10, 2003 |
Record URL |
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