Not on display

Painting

ca. 1855 (painted)
Artist/Maker
Place of origin

William Carpenter was the eldest son of the distinguished portrait painter Margaret Sarah Carpenter and of William Hookham Carpenter, who became Keeper of the Prints and Drawings Department at the British Museum. In early 1850 he set off in the footsteps of his younger brother Percy, also an artist, and landed in Bombay. He spent much of his time painting portraits of local rulers and the surrounding countryside, often wearing Indian dress himself. He travelled widely, from Sri Lanka in the south to Kashmir in the north, and he also spent some time in the Punjab and Afghanistan before moving south to Rajasthan. He appears to have returned to England in 1856. Ten years later he was living in Boston, USA, but he later returned to London, where he died in 1899. This painting depicts a ghat on the Narbada river. A ghat is a broad flight of steps on an Indian riverbank that gives access to the water, especially for bathing. The Narmada or Narbada river (spelled Nerbudda by Carpenter) is traditionally regarded as the boundary between Hindustan proper and the Deccan and is the second holiest river (after the Ganges) in India. There are special places of pilgrimage along its whole course.

Object details

Object type
Materials and techniques
Watercolour on paper
Brief description
Painting by a British artist; William Carpenter, A ghat on the Narbada (Nerbudda) river, India, 1885.
Physical description
The Ghat at Mheysir on the Narbada river.
Dimensions
  • Height: 13.75in
  • Width: 9.75in
Credit line
Purchased from William Carpenter
Object history
Nos. IS.54-1881 to IS.193-1881 purchased from William Carpenter for £500.

Purchased from William Carpenter. This acquisition information reflects that found in the Museum records (Asia Department registers and/or Central Inventory) as part of a 2023 provenance research project.

Registered Paper 4429-1881
Historical context
William Carpenter (ca.1818-1899) travelled through India from 1850-1856 painting portraits and pictures of rulers and their courts and Indian scenery. He travelled to Calcutta via Bombay and Sri Lanka and then up to Delhi and the Punjab frequently dressing in Indian style during his journeys. He stayed in Kashmir from 1854-55, obviously delighting in the scenery and people. Later visiting Afghanistan and then moving south to Rajasthan. On his return to England he exhibited Indian scenes at the Royal Academy between 1857 and 1866.
Summary
William Carpenter was the eldest son of the distinguished portrait painter Margaret Sarah Carpenter and of William Hookham Carpenter, who became Keeper of the Prints and Drawings Department at the British Museum. In early 1850 he set off in the footsteps of his younger brother Percy, also an artist, and landed in Bombay. He spent much of his time painting portraits of local rulers and the surrounding countryside, often wearing Indian dress himself. He travelled widely, from Sri Lanka in the south to Kashmir in the north, and he also spent some time in the Punjab and Afghanistan before moving south to Rajasthan. He appears to have returned to England in 1856. Ten years later he was living in Boston, USA, but he later returned to London, where he died in 1899. This painting depicts a ghat on the Narbada river. A ghat is a broad flight of steps on an Indian riverbank that gives access to the water, especially for bathing. The Narmada or Narbada river (spelled Nerbudda by Carpenter) is traditionally regarded as the boundary between Hindustan proper and the Deccan and is the second holiest river (after the Ganges) in India. There are special places of pilgrimage along its whole course.
Bibliographic reference
Archer, Mildred and Ronald Lightbown. 'India Observed: India as viewed by British Artists 1760-1860. Victoria and Albert Museum, London, 1982. p108 and 138. ISBN 0905209184
Collection
Accession number
IS.107-1881

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdMarch 10, 2003
Record URL
Download as: JSONIIIF Manifest