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Shading Brush

1920-27 (made)
Artist/Maker
Place of origin

Etchers use needles similar to the tools used for making drypoints. They don’t scratch into the metal plate but draw their design through etching ground to expose the metal below. The plate is placed into a bath of acid, which eats away the exposed areas of the plate, etching the drawn design into the plate, which is then inked for printing.

Artists sometimes make their own tools. The improvised shading brush here allowed multiple lines to be drawn using a single motion.


Object details

Categories
Object type
Materials and techniques
Wood, tape and plastic and steel, printmaking tool
Brief description
Shading brush used in etching by Sir Henry Harding Cunynghame (1848-1935)
Physical description
Shading brush used in etching, made of 24 needles taped to a wood and plastic handle
Dimensions
  • Length: 16.2cm
  • Shading needles length: 1.8cm
  • Diameter: 2cm (max)
Credit line
Given by Sir Henry Cunynghame
Object history
The series of 12 etchings (E.1352 to 1363-1927) by Henry Cunynghame were donated as specimens of the work produced using his custom-made etching point E.1350-1927 and the shading brush E.1351-1927 that he also donated.
Summary
Etchers use needles similar to the tools used for making drypoints. They don’t scratch into the metal plate but draw their design through etching ground to expose the metal below. The plate is placed into a bath of acid, which eats away the exposed areas of the plate, etching the drawn design into the plate, which is then inked for printing.

Artists sometimes make their own tools. The improvised shading brush here allowed multiple lines to be drawn using a single motion.
Bibliographic reference
Victoria and Albert Museum, Department of Engraving, Illustration and Design and Department of Paintings, Accessions 1927, London: Board of Education, 1928.
Collection
Accession number
E.1351-1927

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Record createdJune 30, 2009
Record URL
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